Youmans’s second Adantis offering hovers between novel and fairytale. Orphans Ingledove and Lang live in the city, refugees from a pastoral paradise flooded for electricity during WWII. When Lang has a nightmare, the children’s folksy and uncanny nurse sends them on a strange journey. She tells Lang to beware of snakes, but the boy scoffs at her superstition. Yet while the children wander the backwoods, he’s seduced by a snakelike succubus who leaves him near death. It’s up to Ingledove to save her brother, and she brings him deep into the wild to meet an Adantan Witchmaster. The children’s mother, she learns, was from Adantis—a tribe of Celtic-Cherokee crosses inhabiting magical Appalachia. Together with the young Witchmaster, Ingledove quests into the land of the Little People to defeat Lang’s monstrous seducer. Ingledove’s magical journey, lovingly enriched by Celtic and Cherokee mythology, ends too suddenly and with too little personal growth for conventional fiction. But the intricate and unorthodox mythos is fascinating; Ingledove’s story, though set in the 20th century, is clearly folklore. (Fiction. 10-13)
Pub Date: May 7, 2005
ISBN: 0-374-33599-0
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
Like Paul Fleischman’s Path of the Pale Horse (1983), which has the same setting, or Anna Myers’s Graveyard Girl (1995),...
In an intense, well-researched tale that will resonate particularly with readers in parts of the country where the West Nile virus and other insect-borne diseases are active, Anderson (Speak, 1999, etc.) takes a Philadelphia teenager through one of the most devastating outbreaks of yellow fever in our country’s history.
It’s 1793, and though business has never been better at the coffeehouse run by Matilda’s widowed, strong-minded mother in what is then the national capital, vague rumors of disease come home to roost when the serving girl dies without warning one August night. Soon church bells are ringing ceaselessly for the dead as panicked residents, amid unrelenting heat and clouds of insects, huddle in their houses, stream out of town, or desperately submit to the conflicting dictates of doctors. Matilda and her mother both collapse, and in the ensuing confusion, they lose track of each other. Witnessing people behaving well and badly, Matilda first recovers slowly in a makeshift hospital, then joins the coffeehouse’s cook, Emma, a free African-American, in tending to the poor and nursing three small, stricken children. When at long last the October frosts signal the epidemic’s end, Emma and Matilda reopen the coffeehouse as partners, and Matilda’s mother turns up—alive, but a trembling shadow of her former self.
Like Paul Fleischman’s Path of the Pale Horse (1983), which has the same setting, or Anna Myers’s Graveyard Girl (1995), about a similar epidemic nearly a century later, readers will find this a gripping picture of disease’s devastating effect on people, and on the social fabric itself. (Fiction. 11-13)Pub Date: Sept. 1, 2000
ISBN: 0-689-83858-1
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
A child’s feelings of loneliness and isolation are eventually replaced with a longing for adventure in a mysterious book from Nascimbene (A Day in September, 1995, not reviewed). Sent to a boarding school in the Swiss Alps for the summer while her parents are vacationing, L£cia, homesick for S—o Paulo and family, remains detached from all activities until the day she hears distant hammering emanating from a local barn. Intrigued, L£cia discovers a kind farmer named Aldo behind the sound; he is keeping a secret from the outside world. Befriending the girl after she pours out her heart to him, Aldo decides to show her the large sailboat he has been building. L£cia, who renames all the wildflowers she finds according to her wishes, finds a wildflower she calls Ocean Deep and sends it to her parents, foreshadowing the dream she is to have later aboard Aldo’s boat; in this dream she sails close enough to her shipbound parents to wave at them. The beautifully conceived illustrations have a range of appearances, from the look of cut-paper silhouettes whose spaces have been washed in watercolor, to landscapes and seascapes with perspectives and of a simplicity of line associated with Japanese art. The typeface, though attractive, is a small size that makes this better for read-aloud sessions than reading alone; the story, long for a picture book, but deeply felt, is ripe for the interpretation of children. (Picture book. 7-11)
Pub Date: Nov. 1, 1999
ISBN: 1-56846-161-5
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
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