Spirited, enlightening and entertaining, especially for musical-theater fans.
The voice behind the stars recalls the life behind the voice.
As an infant, Marni Nixon stood up and sang in her crib late at night. By the time she was 11, she performed in professional choruses in Los Angeles and, learning she had perfect pitch, set upon a career as a singer. By the late ’40s, she toiled at MGM, but not always in front of the camera. Producers discovered her particular talent for dubbing, in a voice perfectly matching a musically challenged star’s—a note, a phrase, an entire song. For child wonder Margaret O’Brien in The Secret Garden, Nixon “ghosted” a Hindu lullaby. A major assignment came when 20th Century Fox hired her to blend her voice with Deborah Kerr’s when the latter sang in The King and I. In separate sound booths, Kerr and Nixon carefully cued each other to take over the sections each could handle. Assignments followed to cover a distant Natalie Wood in West Side Story and a lovely Audrey Hepburn in My Fair Lady. Fox warned Nixon that she’d never work in Hollywood again if word of her “ghosting” got around, but somehow it did—The Hollywood Reporter quipped that she even supplied the voice of Mr. Ed. The Sound of Music, at last, offered Nixon an onscreen role as a singing nun, and her career, which had already included major roles in musical theater and opera, gained momentum. She teamed with Liberace and Victor Borge in comic musical routines. She brought the company of the 2001 New York revival of Follies to tears singing “One More Kiss.” Apparently upbeat and indefatigable after a long, full career—and a recent triumph over cancer—she might well have sung the show’s survival anthem, “I’m Still Here.”
Spirited, enlightening and entertaining, especially for musical-theater fans.Pub Date: Sept. 1, 2006
ISBN: 0-8230-8365-9
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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