An engrossing crime tale that would make a lean and mean movie.
In this debut novel, the events leading up to the brutal murders of a ranch foreman and his wife unfold through a variety of viewpoints.
“Something bad” has happened on the ranch of Sam Duff, “the big name T.V. broadcaster and part time rancher.” The bodies of foreman Luke Pruitt and his third wife, Deona, have been found in a manure pit while their two children, Leeland, 14, and his preteen sister, Karmen, are missing. Chapters of Burns’ compelling book alternate between Deputy Rob Greenwood’s investigation and the perspectives of the principals and participants involved in the case. These include the ill-fated Luke, who, like his father, Payton, was “meaner-than-shit” and made Benedict Cumberbatch in the film The Power of the Dog look like Roy Rogers. Linda Pruitt, his mother, was “a genuine ranch woman,” whose Ranching Weekly column contained such homespun (and posthumously ironic) wisdom as “Cowboys expect a lot of their families because they expect a lot of themselves,” and who met an unfortunate end. Most heartbreakingly, there is Luke’s abused son, Leeland, who admits to his school counselor that he does not want to be a cowboy. But haunting the narrative is the communal “We,” one voice that guiltily confesses, “We’d seen it coming, and stood by watching it the way we’d watch a dry storm approach across flat land—always thinking we had more time.” This bruising story is less a murder mystery than an unflinching look at a culture and community. Burns writes with a vivid sense of place and ranch life. Dialogue is effectively terse. “I wouldn’t treat my livestock” the way “Luke and Deona Pruitt treated that boy,” one character remarks. Evocative descriptions add rich grace notes (“Only a clarinet could have mimicked the sadness of that boy’s voice”). There are a few positive adult characters who offer compassion and a helping hand, but there is little respite for readers, which may make it hard going for some. As Luke growls at one point, “This is no tea party.”
An engrossing crime tale that would make a lean and mean movie.Pub Date: May 20, 2022
ISBN: 978-1-63988-366-0
Page Count: 306
Publisher: Atmosphere Press
Review Posted Online: Feb. 23, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.
Pub Date: April 14, 1939
ISBN: 0143039431
Page Count: 532
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: April 1, 1939
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