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VERTIGO 42

Though newcomers may find Jury enigmatic without a complete back story (The Black Cat, 2010, etc.), the character sketches...

Richard Jury returns to investigate four deaths separated by time and geography.

When Scotland Yard Superintendant Richard Jury meets Tom Williamson at Vertigo 42, a bar atop one of London’s financial towers, Williamson asks him to reopen a couple of long-ago deaths. Williamson lost his wife, Tess, 17 years ago, when she apparently suffered an attack of vertigo and fell down the stairs of their Devonshire country house. Five years earlier, she’d given a party there for six children, one of whom died in a draining pool. Tess was acquitted of any wrongdoing, but she never got over the incident. After Jury starts looking into the case, he's inclined to agree with Williamson that someone with vertigo probably wouldn’t have fallen all the way to the bottom of the stairs, and there were easier, more foolproof means of suicide. Jury’s also invited to investigate the case of a red-gowned woman found dead at the foot of a tower in Northamptonshire, near the home of Melrose Plant. Plant, the former Lord Ardry and Jury’s unofficial sidekick, applies his own investigative style whenever he can be torn away from Soufflé Day and other aspects of the perfect life at his estate. Even with Plant’s help, Jury is hard-pressed to make sense of a lost dog, mysterious changes of outfit, a fourth body, and the prevailing questions of whether and how the four deaths are related. The unseen but deeply felt presence of the generous, warmhearted Tess inspires Jury and his team to persevere in seeking justice for her and peace for her husband in a deftly plotted tale balancing wry humor and poignancy without sentimentality.

Though newcomers may find Jury enigmatic without a complete back story (The Black Cat, 2010, etc.), the character sketches Grimes (The Way of All Fish, 2014, etc.) provides are more satisfying than other authors’ full portraits. Longtime fans will find this tale fully worthy of Jury and his regulars.

Pub Date: June 3, 2014

ISBN: 978-1-4767-2402-7

Page Count: 336

Publisher: Scribner

Review Posted Online: April 16, 2014

Kirkus Reviews Issue: May 1, 2014

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INHERENT VICE

Groovier than much of this erratic author’s fiction, but a bummer compared with his best.

For better and worse, this is the closest Pynchon is likely to come to a beach book.

A psychedelic beach book, of course: It’s hippie-era Los Angeles, and our hero smokes marijuana the way others smoke cigarettes, which is something of an occupational hazard in a profession that requires deductive abilities. About a third the length of its predecessor (Against the Day, 2006, etc.) and as breezy as a detective novel by Tom Robbins, the book begins with a beautiful woman walking into the office of private investigator Larry “Doc” Sportello to ask for help. Formerly Doc’s girlfriend, Shasta has been associating more recently with Mickey Wolfmann, a very rich and married developer whom Doc knows from the newspapers as “the real estate big shot.” Mickey’s wife and her lover apparently want him institutionalized, but as usual in a Pynchon novel, there are conspiracies atop conspiracies as Doc tries to get to the people who are running the people who seem to be running things. With Charlie Manson poisoning the free-love ethos and land-grab developers putting the soul of Southern California up for grabs, Doc finds himself enmeshed deeper in a plot that defies resolution. The mystery focuses on the Golden Fang, which may be a schooner, a heroin cartel, an enterprise of “vertical integration” or a vast international conspiracy. Maybe all of the above. The story will make the most sense to those as stoned as Doc, though it’s hard to resist questions like, “Anybody understand why they call it ‘real’ estate?” or a simile such as “the figure dropped like an acid tab into the mouth of Time”—highly appropriate for a protagonist who tends to divide the totality of experience into “groovy” and “bummer.” Or, once, for emphasis, “Bumm. Er.”

Groovier than much of this erratic author’s fiction, but a bummer compared with his best.

Pub Date: Aug. 4, 2009

ISBN: 978-1-59420-224-7

Page Count: 370

Publisher: Penguin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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A BITTER FEAST

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

A fatal accident that tangles the fates of three ill-assorted people when two cars crash into each other outside a Gloucester village raises urgent questions about the living.

Hours after being ejected from the Lamb, Viv Holland’s pub in Lower Slaughter, her former boss Fergus O’Reilly, who’s turned up without warning and pressed her to take a new job 12 years after she quit his Michelin-rated Chelsea restaurant, is found dead after a collision outside the village. Nor is he the only victim: Nell Greene, the Lamb patron who’d picked up Fergus when she saw him walking uncertainly along the road to drive him to the hospital, has also died at the scene. And there’s evidence that Fergus was fatally poisoned even before the crash. The Met’s Detective Superintendent Duncan Kincaid and his wife, DI Gemma James, are on hand to investigate because they’ve accepted an invitation to stay at Beck House, the home of DS Melody Talbot’s wealthy parents, Sir Ivan and Lady Adelaide Talbot, for whom Viv has agreed to cater an elaborate charity luncheon. But Kincaid, who was driving the car Nell struck and survived the collision only to see Nell die as he looked on helplessly, isn’t himself either physically or mentally, and the solution seems a long way off. There’ll be another murder, a series of increasingly revealing flashbacks to Viv’s stint at O’Reilly’s 12 years ago, and endless updates on the sexual histories of the suspects with the victims, each other, and the police. Through it all, Kincaid and Gemma (Garden of Lamentations, 2017, etc.) keep stiff upper lips even when the dark revelations reach into Beck House.

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-227166-2

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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