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SAM SORTS

A deceptively simple, joyous introduction to set theory, with lots of other concept practice as a bonus.

Sam’s got a mess, but he knows how to have fun cleaning it up: sorting it!

Brown-skinned Sam stands in front of his “heap” of toys, an exuberantly colorful pile that stands out against the muted, neutral backgrounds in Jocelyn’s collage illustrations. “First he finds Obo the robot, one of a kind. Then two snarling dinosaurs, three little boxes, and four fake foods. How many things is that?” From this simple opening, Jocelyn takes Sam and readers through many permutations of organizational possibilities for his stuff: rocks, round things, things that come in twos; things that are striped; things that are soft or fuzzy or smelly; and so on. Each double-page spread offers at least one sorting possibility and myriad opportunities for involvement. Items that rhyme are paired visually but not textually, inviting readers to vocalize “cat” and “bat,” “fox” and “box.” The homely hodgepodge of media—photographs, spare drawings, intricate paper-collage—combines with open-ended questions (“What else floats?”) to practically beg readers to look outside the book for examples from their own lives to add to Sam’s categories or start their own. Layouts are varied and inventive; early on, baker’s twine makes an elegant Venn diagram, and later, a Pac-Man maze includes both “things Sam bites” and “some things [that] bite Sam.”

A deceptively simple, joyous introduction to set theory, with lots of other concept practice as a bonus. (Picture book. 3-5)

Pub Date: Feb. 14, 2017

ISBN: 978-1-101-91805-0

Page Count: 32

Publisher: Tundra Books

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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CHICKA CHICKA PEEP PEEP

From the Chicka Chicka Book series

A sweet, springtime-themed reworking of a beloved tale.

The classic picture book Chicka Chicka Boom Boom (1989) gets a makeover for Easter as the letters of the alphabet locate and decorate eggs.

The mission is simple: “Chicka chicka peek peek. / Everybody seek seek! / Find all the eggs / in the pretty pink tree.” The letters are making their way up the flowering tree in search of the hidden eggs when a “SNEEZE!” scatters everyone and the eggs fall and crack. Luckily, a bunny hops by with a haul of new ones, which the letters then paint and bedazzle, eventually sharing the newly decorated eggs with a group of bunnies. This picture book is a successfully Easter-fied version of the original: The letters go up; the letters fall down. Truly, though, that’s all the preschool crowd needs. Chung’s illustrations are simple and familiar, a direct echo of Chicka Chicka Boom Boom. The letters appear in colorful, bold, block form. The book has few added details, just focal images like the tree and its pink flowers, the colorful eggs, tufts of grass, and some friendly rabbits. The alphabet appears in order (both upper- and lowercase letters) at the book’s open and close. The rhyming text follows the iconic cadence of the source material, making for a worthy read-aloud that will keep little hands turning pages.

A sweet, springtime-themed reworking of a beloved tale. (Picture book. 3-5)

Pub Date: Jan. 20, 2026

ISBN: 9781665990646

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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