With its impressive sweep and density, Clark’s work triumphantly clears the second-novel hurdle. Don’t miss it.
Big, boisterous and hugely enjoyable, Clark’s second tracks the wild ride of a disgraced preacher across an American heartland pockmarked by scams and rackets.
Two lousy kisses. That’s all it took, plus some rigged DNA, to end Joel King’s marriage and ministry. Joel, a well-liked Baptist in Roanoke, Virginia, had unfortunately exchanged kisses, on church premises, with Christy Darden, the most gorgeous, pampered, sluttish, and conniving 17-year-old in all Virginia (Clark paints her with a wicked glee). The unworldly minister has pled guilty to misdemeanor charges and done six months of jail time, little realizing he was an entrapment victim. He emerges from jail penniless, only to be served with divorce papers and Christy’s civil suit for five million, while all he has is a ride to his sister’s place in Missoula, Montana. His driver is a businessman, Edmund Brooks, a loyal member of his congregation. En route, Edmund proposes that Joel join him and his partner, a black lawyer in Las Vegas, in a scheme to defraud insurance companies. The deal hinges on “borrowing” high-priced jewelry. Joel, a good and honest man, immediately declines. In Missoula, he joins Sophie, a struggling single parent, and her small son. There, he finds two low-end jobs, but sheer economic necessity drives him to accept Edmund’s offer. What follows is a heist that goes wrong, and eventually Joel is confronted by FBI agents. Meanwhile, before their depositions, he is desperately trying to work out a deal with the utterly untrustworthy Christy. All this is as hilarious and exciting as Clark’s debut (The Many Aspects of Mobile Home Living, 2000); but in this “grown man’s coming-of-age story,” the author takes that caper to another level. Joel’s spiritual struggle is unremitting in a world where the black and white hats don’t divide cleanly: Edmund is a likable rogue, while Joel’s probation officer, working his own racket, is total slime.
With its impressive sweep and density, Clark’s work triumphantly clears the second-novel hurdle. Don’t miss it.Pub Date: May 4, 2004
ISBN: 1-4000-4096-5
Page Count: 432
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2004
A wide-angled view of contemporary America and its discontents that deserves comparison with Dos Passos’s U.S.A., if not...
The recent brouhaha about the death of realistic fiction may well be put to rest by Franzen’s stunning third novel: a symphonic exploration of family dynamics and social conflict and change that leaps light-years beyond its critically praised predecessors The Twenty-Seventh City (1998) and Strong Motion (1992).
The story’s set in the Midwest, New York City, and Philadelphia, and focused on the tortured interrelationships of the five adult Lamberts. Patriarch Alfred, a retired railroad engineer, drifts in and out of hallucinatory lapses inflicted by Parkinson’s, while stubbornly clinging to passé conservative ideals. His wife Enid, a compulsive peacemaker with just a hint of Edith Bunker in her frazzled “niceness,” nervously subverts Alfred’s stoicism, while lobbying for “one last Christmas” gathering of her scattered family at their home in the placid haven of St. Jude. Eldest son Gary, a Philadelphia banker, is an unhappily married “materialist”; sister Denise is a rapidly aging thirtysomething chef rebounding from a bad marriage and unresolvable relationships with male and female lovers; and younger son Chip—the most abrasively vivid figure here—is an unemployable former teacher and failed writer whose misadventures in Lithuania, where he’s been impulsively hired “to produce a profit-making website” for a financially moribund nation, slyly counterpoint the spectacle back home of an American family, and culture, falling steadily apart. Franzen analyzes these five characters in astonishingly convincing depth, juxtaposing their personal crises and failures against the siren songs of such “corrections” as the useless therapy treatment (based on his own patented invention) that Alfred undergoes, the “uppers” Enid gets from a heartless Doctor Feelgood during a (wonderfully depicted) vacation cruise, and the various panaceas and hustles doled out by the consumer culture Alfred rails against (“Oh, the myths, the childish optimism of the fix”), but is increasingly powerless to oppose.
A wide-angled view of contemporary America and its discontents that deserves comparison with Dos Passos’s U.S.A., if not with Tolstoy. One of the most impressive American novels of recent years.Pub Date: Sept. 1, 2001
ISBN: 0-374-12998-3
Page Count: 576
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
PERSPECTIVES
BOOK TO SCREEN
PERSPECTIVES
A compelling idea fizzles out into anticlimactic detail.
A workmanlike, confusedly titled debut about the death of a morbid young wife.
Paul Iverson, a regular-guy linguistics prof at a mid-Atlantic university, receives the news that his wife of several years, Lexy, has fallen to her death from a backyard apple tree. Only her beloved dog Lorelei, a Rhodesian Ridgeback, has witnessed the fall and the last hours of her life, and Paul, grieving and numb, embarks on the professionally estranging work of trying to get Lorelei to tell (literally) what she knows. Oddities emerge—like the fact that Lexy cooked and fed the dog a steak and rearranged the bookshelves before she climbed and fell—suggesting that Lexy, a maker of festive masks from clay, paper, and varnish, had an ulterior motive in climbing the tree. In his disembodied depression, Paul researches possibilities of language acquisition in dogs and even contacts an imprisoned canine mutilator convicted of conducting surgery on dogs to reshape their palates for talking. When Paul attends a meeting of the Cerberus Society, the story turns really bizarre, but only briefly: Parkhurst adheres to the gradual, fairly tedious unraveling of Paul and Lexy’s courtship and married life. The lack of detail about Lexy’s past is covered by her charmingly erratic behavior as a newlywed—the playful thespian masks she fashions for weddings and plays transforming into death masks. But there’s an underlying fissure in this conflicted first novel, the misdirected title a clue: it’s a simple love story without the gumption to go in more unsettling directions à la Patrick McGrath. The highlight isn’t the couple’s first date at Disney World, but the kitschy TV medium Lady Arabelle’s tarot card reading of Lexy’s last night alive. Paul is an emotionally bumbling Everyman no one can dislike, simply desiring a stable home and family, while his wife’s coreless irresolution seems without substance and ultimately merely irritating.
A compelling idea fizzles out into anticlimactic detail.Pub Date: June 13, 2003
ISBN: 0-316-16868-8
Page Count: 256
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
BOOK REVIEW
BOOK REVIEW
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