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THE DUNGEON HOUSE

Despite the gap of all those years, Edwards works exceptionally close to his characters. So every complication he piles on...

In his seventh Lake District mystery (The Frozen Shroud, 2013, etc.), Edwards shows that a troubled local family can rename the Dungeon House as Ravenglass Knoll, but they can’t erase its violent past or prevent a recurrence of the same fatal passions.

Twenty years ago, Malcolm Whiteley, who ran a highly questionable waste management firm, had questions of his own about Lysette, the first love he’d married. So convinced was Malcolm that Lysette was betraying him with someone—maybe Gray Elstone, Malcolm’s accountant; maybe Robbie Dean, the former football player who’d killed his girlfriend, Carrie North, in a careless car accident; maybe Scott Durham, the neighbor who was giving her painting lessons; maybe Nigel Whiteley, the son of Malcolm’s estranged, cancer-stricken brother Ted, a boy reputed to fancy older women—that it was practically certain he’d kill one of them sooner or later. Instead, according to the evidence, he shot Lysette, then chased after their beloved daughter, Amber, and threw her off a cliff, and finally stuck the gun in his own mouth. Finis—until DCI Hannah Scarlett, of Cumbria’s Cold Case Review Team, is asked to look once more into the case at the very moment that Joanna Footit, a former girlfriend of Nigel’s who was seriously traumatized in the same accident that killed Carrie North and crippled Robbie Dean, decides that it would be a perfect time to return to Dungeon House, Malcolm’s home, which Nigel has inherited and christened Ravenglass Knoll, and look up her old friends and neighbors. Let’s just say that Hannah’s labors are crowned with greater success than Joanna’s.

Despite the gap of all those years, Edwards works exceptionally close to his characters. So every complication he piles on so generously comes with a fresh sting, even if many readers will be left more bemused than challenged by this intricate puzzler.

Pub Date: Sept. 28, 2015

ISBN: 978-1-4642-0318-3

Page Count: 276

Publisher: Poisoned Pen

Review Posted Online: June 29, 2015

Kirkus Reviews Issue: July 15, 2015

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THE BODY FARM

Virginia Chief Medical Examiner Dr. Kay Scarpetta (Cruel and Unusual, 1993, etc.) has given up smoking and strayed far enough from her high-pressure office to act as a consulting profiler for the FBI, but her nerves are just as frayed at Quantico, especially since her rebellious niece Lucy is a computer-whiz trainee for the Engineering Research Facility down the hall. Scarpetta's latest case is ugly even by her standards: the North Carolina sex murder of Emily Steiner, 11, whose forensics are so contradictory that Scarpetta wants to exhume her for a second autopsy. Before she can do so, North Carolina Bureau investigator Max Ferguson, returning home from Quantico, dies, apparently of autoerotic asphyxia, and his local contact winds up in the hospital with a heart attack. Scarpetta scurries to work out how and why Temple Gault, an apparent serial killer who's the leading suspect in Emily's murder, might have killed Ferguson—and what to make of her gruesome discovery in Ferguson's freezer. No sooner has she finished the grisly re-examination of Emily, than word comes from Quantico that Lucy's sneaked into an unauthorized area after hours and is getting washed out of the program. Scarpetta's two nightmares come together with a crash—a car crash that sends Lucy to the hospital and Scarpetta out to the field to run forensics on her own automobile. As always, tension is ratcheted up, rather unconvincingly, by plots whose interconnection is never quite clear and by the constant friction between Scarpetta and her niece; her sister; her FBI lover, Benton Wesley; her boorish buddy, Capt. Pete Marino; and Emily's mother, with whom Marino is having an affair. But beneath the welter of quarrels and coincidences is as insidious a study of evil as Cornwell has turned in. (Literary Guild main selection)

Pub Date: Oct. 1, 1994

ISBN: 0-684-19597-6

Page Count: 320

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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THE BLACK ASCOT

Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.

An investigation into an 11-year-old murder unearths some surprising revelations in Inspector Ian Rutledge’s 21st case (The Gate Keeper, 2018, etc.).

Rutledge survived World War I shellshocked and living with the ghostly voice of Hamish, a comrade who died in his arms. When he helps a former soldier find his wife, the grateful man gives him a tip that might help Rutledge find one of the most wanted men in Britain, Alan Barrington, who was accused of murder over a decade earlier and hasn't been seen since. Rutledge's boss gives him the unwelcome job of following up the clue, which begins the inspector's unrelenting search for the truth. Barrington had been accused of engineering a motor crash that killed Blanche Thorne and gravely injured her second husband, Harold Fletcher-Munro. Barrington had been positive that Fletcher-Munro drove Barrington’s friend Mark Thorne to financial ruin and suicide so he could marry Blanche. Rutledge starts out by investigating Barrington’s friends, including his lawyer and estate agent, both of whom have known him for years. When each refuses to confirm or deny that he’s still alive, Rutledge begins to consider the possibility that Mark Thorne did not commit suicide but was murdered by one of the several men who wanted Blanche. Conversations with friends and relatives of the parties involved with Blanche reveal many conflicting opinions. Each snippet Rutledge gleans leads him deeper into a complex maze, but he never considers giving up even when his own wartime demons come to the fore.

Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.

Pub Date: Feb. 5, 2019

ISBN: 978-0-06-267874-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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