O’Brien (All the Girls, not reviewed) serves up a first-rate series hero, though the slender frame of a police procedural...
Introducing Chief Inspector Jacquot and his flics of the Marseilles PD, who sound like the 87th Precinct gallicized.
Tall, tough, smart, sensitive, sexy—that’s Danny Jacquot of the Police Judiciare. If you see him striding down a Marseilles mean street and mistake him for Steve Carella, forgive yourself. He relies on the same understated style, the same patient, professional approach to grunt work, the same unswerving reliance on the competence of a team of veteran colleagues and the same tacit adherence to the code of good guys vs. bad guys. Jacquot and company have a mess on their hands. The Waterman, so dubbed by the media, has an unvarying m.o.: taking seven young women in less than 12 months, drugging, sexually abusing and finally drowning them. There are no clues and no leads, but plenty of the bureaucratic, sweat-inducing pressure so familiar to flics around the world. At last a desperately needed break arrives in the form of the “Allez-Allez Gym” and its side-door supplement for “Femmes Seulement”—a matchless gathering place for unwary victims. Now Jacquot knows he’s a giant step closer to beaching the Waterman, but first there’s a blockbuster surprise in store for him.
O’Brien (All the Girls, not reviewed) serves up a first-rate series hero, though the slender frame of a police procedural (see McBain, see Simenon) was never meant to support over 400 closely printed pages.Pub Date: Jan. 23, 2006
ISBN: 0-312-34998-X
Page Count: 416
Publisher: Dunne/Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2005
A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and...
A young man seeking catharsis probes old wounds and unleashes fresh pain in this expertly crafted stand-alone from Edgar finalist Gaylin (If I Die Tonight, 2018, etc.).
Quentin Garrison is an accomplished true-crime podcaster, but it’s not until his troubled mother, Kate, fatally overdoses that he tackles the case that destroyed his family. In 1976, teenagers Gabriel LeRoy and April Cooper murdered 12 people in Southern California—Kate’s little sister included—before dying in a fire. Kate’s mother committed suicide, and her father withdrew, neglecting Kate, who in turn neglected Quentin. Quentin intends for Closure to examine the killings’ ripple effects, but after an interview with his estranged grandfather ends in a fight, he resolves to find a different angle. When a source alleges that April is alive and living in New York as Renee Bloom, Quentin is dubious, but efforts to debunk the claim only uncover more supporting evidence, so he flies east to investigate. Renee’s daughter, online film columnist Robin Diamond, is preoccupied with Twitter trolls and marital strife when Quentin calls to inquire about her mom’s connection to April Cooper. Robin initially dismisses Quentin but, upon reflection, realizes she knows nothing of Renee’s past. Before she can ask, a violent home invasion hospitalizes her parents and leaves Robin wondering whom she can trust. Artfully strewn red herrings and a kaleidoscopic narrative heighten tension while sowing seeds of distrust concerning the characters’ honesty and intentions. Letters from April to her future daughter written mid–crime spree punctuate chapters from Quentin's and Robin’s perspectives, humanizing her and Gabriel in contrast with sensationalized accounts from Hollywood and the media.
A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and blame.Pub Date: July 2, 2019
ISBN: 978-0-06-284454-5
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
O'Brien proves to be the Oliver Stone of literature, reiterating the same Vietnam stories endlessly without adding any insight. Politician John Wade has just lost an election, and he and his wife, Kathy, have retired to a lakeside cabin to plan their future when she suddenly disappears. O'Brien manages to stretch out this simple premise by sticking in chapters consisting of quotes from various sources (both actual and fictional) that relate to John and Kathy. An unnamed author — an irritating device that recalls the better-handled but still imperfect "Tim O'Brien" narrator of The Things They Carried (1990) — also includes lengthy footnotes about his own experiences in Vietnam. While the sections covering John in the third person are dry, these first-person footnotes are unbearable. O'Brien uses a coy tone (it's as though he's constantly whispering "Ooooh, spooky!"), but there is no suspense: The reader is acquainted with Kathy for only a few pages before her disappearance, so it's impossible to work up any interest in her fate. The same could be said of John, even though he is the focus of the book. Flashbacks and quotes reveal that John was present at the infamous Thuan Yen massacre (for those too thick-headed to understand the connection to My Lai, O'Brien includes numerous real-life references). The symbolism here is beyond cloying. As a child John liked to perform magic tricks, and he was subsequently nicknamed "Sorcerer" by his fellow soldiers — he could make things disappear, get it? John has been troubled for some time. He used to spy on Kathy when they were in college, and his father's habit of calling the chubby boy "Jiggling John" apparently wounded him. All of this is awkwardly uncovered through a pretentious structure that cannot disguise the fact that there is no story here. Sinks like a stone.
Pub Date: Oct. 1, 1994
ISBN: 061870986X
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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