A tremendous study of how Putin has tragically manipulated national myths for personal gain and revanchist patriotism.
An eloquent report probes the complicated, competing narratives of Ukraine–Russia history.
Martin Sixsmith is a former BBC Moscow correspondent and author of An Unquiet Heart, and his son, Daniel, is a historian and author of The War of Nerves. Despite the optimism in the West for the emergence of liberal democracy in Russia after the collapse of the Soviet Union, the rise of Putin over the last two decades has assured the resurgence of the militarized autocratic model first installed during the time of the Mongols in the 14th century. As a correspondent in Moscow in 1991, Martin joined the triumphal voices at Russia’s disintegration and reported—wrongly, he admits—that “Russia would re-enter the community of nations after seven decades of self-imposed exile and become a responsible member of the international order.” Instead, Putin has only grown more resentful about what the former Soviet Union has lost. Most recently, Putin has reembraced the “Great Russian nationalism” favored by Catherine the Great, and he stresses the concept of Russian vulnerability to Western aggression and the need to protect the allegedly persecuted Russian minorities in places such as the Donbas—hence the invasion of Ukraine in 2022. As the authors note, Hitler used a similar casus belli to invade the Sudetenland in 1938. “Like Stalin before him,” the authors write, “Putin has appointed himself the supreme arbiter of the meaning of history. He declares his strict adherence to historical facts, but they are the ‘facts’ according to the ever-growing number…of Government Organized Non-Governmental Organizations that he himself has created.” As the authors capably demonstrate in this stimulating text, Putin’s massive folly in invading Ukraine—and expecting a warm welcome—has opened a perilous new chapter in the Russian historical narrative.
A tremendous study of how Putin has tragically manipulated national myths for personal gain and revanchist patriotism.Pub Date: March 19, 2024
ISBN: 9781399409865
Page Count: 368
Publisher: Bloomsbury Continuum
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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