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WINTER AT A SUMMER HOUSE

A dynamic and colorful set of poems inspired by water and ocean imagery.

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A poet’s debut collection swims through the cycles of life.

Hines grew up in Massachusetts, adjacent to the Atlantic Ocean, and the poems in this debut collection are filled with richly detailed imagery evoking the sea—of characters swimming, bathing, diving, as if time were an unpredictable element and living, a process of navigating unexpected currents. Each of the volume’s six sections is associated with a different phase of life; one poem features an infant taking a bath (“As water rushes from the tap, rainbow bubbles / build then snap. Waves ripple her legs and chest”), while a later work featuring a more independent and stronger protagonist, going to the water to “dive / the way he taught me, / beeline into surf swell, / under mayhem, into sparkle.” The richness of Hines’ poetic structure is powerfully auditory, often reminiscent of the works of Gerard Manley Hopkins. The sounds and syncopated rhythms of her language are just as vital as the subjects she describes, as when “the baby cried / his distress disguised / as hunger for the tender / tongue of touch” or when adults yearn to remain in “a place where the taste of salt might linger / on remembered skin.” Personal experiences intertwine with vivid imagery in Hines’ poems, offering a tactile description of living that’s often baffling but always meaningful; it’s a world where “Sometimes grownups kiss. Sometimes they cut. / It’s hard to explain but some like to draw blood.” The voices within this collection savor each moment of play, each sensation, and each moment before the sun descends.

A dynamic and colorful set of poems inspired by water and ocean imagery.

Pub Date: Nov. 4, 2021

ISBN: 978-1-63980-045-2

Page Count: 102

Publisher: Kelsay Books

Review Posted Online: Dec. 7, 2021

Kirkus Reviews Issue: Feb. 1, 2022

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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