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STEALING DREAMS

A FERTILITY CLINIC SCANDAL

More for students of clinical management and reproductive issues than general readers.

Detailed but dry account of malfeasance and witch hunts at the UC/Irvine’s fertility clinic.

The early-1990s controversy reflects the challenges of new technologies like in vitro fertilization, state coauthors Dodge (Public Affairs/Univ. of Colorado, Denver) and Geis (Law/UC Irvine; Crimes of the Century, 1998, etc.). “It is also,” they write, “a story replete with evasions, nastiness, and injustice.” The authors begin in 1995, when traumatized couples came forward to claim that eggs stored at the clinic had been implanted in other women without their permission. Dodge and Geis then backtrack to the clinic’s 1986 hiring of prominent reproductive physician Ricardo Asch, whose accounting and record-keeping were soon questioned by subordinates. Conflicts between doctors and staff led to audits amid an atmosphere of distrust; in 1994, three clinic employees filed formal complaints with multiple fraud-related allegations. By the time the National Institutes of Health intervened, the situation had developed into a PR disaster. The authors convincingly argue, as many in the medical community did at the time, that UCI deliberately directed the scandal toward Asch and two Latin American colleagues, who were publicly tarred as greedy and remote. Asch and José Balmaceda fled to their home countries; Sergio Stone stayed and was seemingly prosecuted for the allegations against all three. Devoting long chapters to each doctor’s case, Dodge and Geis explore the ambiguities, arguing that the physicians were pilloried for behavior that was hardly unique. Alienation of civilian managers and poor record-keeping were common practices in the medical subculture, the authors assert, abetted in this instance by UCI’s lack of oversight until damage control was necessary. Dodge and Geis take a broad view, summarizing the scandal’s every stage and providing legalistic references that fill in the details without generating much suspense. Their tart analysis of the thorny field of contemporary reproductive science, however, is eye-opening and informative.

More for students of clinical management and reproductive issues than general readers.

Pub Date: Oct. 6, 2003

ISBN: 1-55553-585-2

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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