A literal blood feud in which warring factions of the same family have engaged for a century suffuses this readable if overwrought story of love between teens from opposing sides. Seventeen-year-old Kaitlin Malone, living with her mother and sister on their farm in contemporary northern California, has grown up detesting the wealthy Crutchfields—and they her side of the family. Misunderstandings and lies about each clan that have been perpetuated for generations have fueled the animosity, but Kaitlin’s even worse dilemma is that she and schoolmate Bram Crutchfield fall deeply in love almost from the moment they meet, though under false pretenses. Forced by straitened finances to attend a public high school—situated on Crutchfield land—Kaitlin enrolls under an assumed surname. It turns out that there’ll be more need for secrecy than “mere” bad blood, however. Not until she learns Bram’s last name does Kaitlin realize that he’s not only the “enemy” but also the son of the man her father is in prison for killing. To keep the relationship flourishing, she is forced to continue lying and weaves a more and more elaborate web of deceit in which she, her family, and her and Bram’s friends become hopelessly entangled. Enlightenment and hope that something good can emerge from the age-old enmity come when Kaitlin reads the journals of the family’s progenitor, a dedicated and talented writer like she is. In the journals Kaitlin discovers the truth behind the age-old disputes, and the diaries seem finally to point Kaitlin and Bram to a legacy of promise and not continued blind hatred. Romeo and Juliet this isn’t, but fans of teen angst and undying-love stories will probably appreciate the effort. (Fiction. 12+)
Pub Date: April 1, 2001
ISBN: 0-15-202320-8
Page Count: 240
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
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