An inventive mix of SF and fact that should engross a wide range of readers.
This debut work combines an introduction to genetics with an SF adventure.
A supernova within the Milky Way exposed the Earth to tremendous amounts of gamma radiation. This “Stella Ignis” event stripped the ozone layer and caused mass extinctions. Some people went underground for protection, taking plants and animals along, and so “human society and knowledge had been preserved, albeit under severely constrained environmental conditions.” The ensuing centuries give rise to Homo transformans, whose genetic mutations allow them to shape-shift into various animals, including dragons. Two groups would like nothing more than to capture and exploit these individuals—the Biogenetics Company and the Cassius Foundation, which is led by Angus Cassius. To protect against these aggressors and the bounty hunters who would earn kidnapping fees, two forward-thinking Homo transformans named Edvar and Ruth H’Aleth create a refuge. Initially, the House of H’Aleth declines to conduct experiments using its citizens. But eventually, the goals of maintaining genetic knowledge and defending against the world’s evils bring philosophical offshoots into being. In a safe region, the House of Erwina conducts selective breeding and schools children. Farthest away is the House of Gregor, which practices genetic engineering. Can the houses remain intact across the generations against greedy individuals? Ames’ hybrid of science education and adventure provides anyone newly interested in genetics with an excellent foundation. Key vocabulary is defined in the text, like chromosome (“an extended strand of DNA that was…compressed into a microscopic package”), and always accompanied by uncredited explanatory illustrations. The plot goes on to detail how evolution works through trial and error—most early Homo transformans didn’t shape-shift expertly or completely and so died—and “patterns of inheritance”; Edvar and Ruth’s children possess combined and expanded traits. Throughout, black-and-white artwork showcases fantastic scenes or anomalies, as when the arrogant Rafe Cassius fails to transform fully and becomes a grotesque. The author’s imaginative tale follows H’Aleth descendants who work to merge Homo sapiens and Homo transformans into one society despite the Cassius family's machinations. The first two sections strike the best balance between science and adventure while later ones rely more on character development and worldbuilding.
An inventive mix of SF and fact that should engross a wide range of readers. (maps, tables, appendices, glossary, reference guide, index)Pub Date: March 29, 2018
ISBN: 978-1-5434-8012-2
Page Count: 586
Publisher: XlibrisUS
Review Posted Online: April 9, 2020
Kirkus Reviews Issue: May 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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