A sparkling biography and cultural history.
An illuminating portrait of a Victorian wife and mother who was rescued from silence.
Recipient of the inaugural Hazel Rowley Literary Fellowship, an award honoring the esteemed Australian biographer, historian Hoban makes her debut as a biographer with an absorbing, deeply perceptive life of Julia Sorell Arnold (1826-1888). Grandmother to novelist Aldous Huxley and his brother, biologist Julian Huxley; sister-in-law of poet and critic Matthew Arnold; and mother of bestselling novelist Mary (Mrs. Humphry) Ward, Julia, after her marriage to Tom Arnold, became ensconced in one of the most famous families in 19th-century England. As the “ruling belle” of Hobart, Australia, she caught Tom’s eye in February 1850, and the romance quickly progressed; in less a month, they were engaged. Two months later, they married. Although Julia often found Tom’s jealousy irritating and knew that he believed husbands should master their wives, she was enamored by his “earnest, sensitive nature, his deeply spiritual temperament, and his self-deprecating humour.” For his part, he absolutely adored her. Drawing on archival sources, histories, and memoirs, Hoban creates a revelatory, sympathetic portrait of a woman whose married life was undermined by financial pressures and a rift between husband and wife that proved unbridgeable. In Tasmania and later in Ireland and England, the couple was saddled with debt; and through the years, with eight children to support, debts increased. Money was an enduring problem, but religion even greater. Tom’s early skepticism took a sudden turn when he decided to convert to Roman Catholicism, a resolve that Julia met “with a torrent of hate and despair.” The abyss between Anglicans and Catholics was profound. “Religion,” writes the author, “was never simply about belief. It was about position, about economic stability, about possible trajectories, not just for Tom and Julia, but also for their children.” Risking the family’s well-being seemed to Julia unconscionable, but she struggled with her decision to be, as Tom put it, “a revolutionary wife or a Christian one.” She chose, at last, hard-won independence.
A sparkling biography and cultural history.Pub Date: Jan. 7, 2020
ISBN: 978-1-947534-82-7
Page Count: 320
Publisher: Scribe
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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