A sparkling biography and cultural history.
An illuminating portrait of a Victorian wife and mother who was rescued from silence.
Recipient of the inaugural Hazel Rowley Literary Fellowship, an award honoring the esteemed Australian biographer, historian Hoban makes her debut as a biographer with an absorbing, deeply perceptive life of Julia Sorell Arnold (1826-1888). Grandmother to novelist Aldous Huxley and his brother, biologist Julian Huxley; sister-in-law of poet and critic Matthew Arnold; and mother of bestselling novelist Mary (Mrs. Humphry) Ward, Julia, after her marriage to Tom Arnold, became ensconced in one of the most famous families in 19th-century England. As the “ruling belle” of Hobart, Australia, she caught Tom’s eye in February 1850, and the romance quickly progressed; in less a month, they were engaged. Two months later, they married. Although Julia often found Tom’s jealousy irritating and knew that he believed husbands should master their wives, she was enamored by his “earnest, sensitive nature, his deeply spiritual temperament, and his self-deprecating humour.” For his part, he absolutely adored her. Drawing on archival sources, histories, and memoirs, Hoban creates a revelatory, sympathetic portrait of a woman whose married life was undermined by financial pressures and a rift between husband and wife that proved unbridgeable. In Tasmania and later in Ireland and England, the couple was saddled with debt; and through the years, with eight children to support, debts increased. Money was an enduring problem, but religion even greater. Tom’s early skepticism took a sudden turn when he decided to convert to Roman Catholicism, a resolve that Julia met “with a torrent of hate and despair.” The abyss between Anglicans and Catholics was profound. “Religion,” writes the author, “was never simply about belief. It was about position, about economic stability, about possible trajectories, not just for Tom and Julia, but also for their children.” Risking the family’s well-being seemed to Julia unconscionable, but she struggled with her decision to be, as Tom put it, “a revolutionary wife or a Christian one.” She chose, at last, hard-won independence.
A sparkling biography and cultural history.Pub Date: Jan. 7, 2020
ISBN: 978-1-947534-82-7
Page Count: 320
Publisher: Scribe
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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