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SOUPERCHICKEN

What do you call a chicken who saves her aunty chickens from the soup factory? That’s right, one “souper” chicken. At first it appears that young Henrietta’s reading habit gets her into trouble in the Auchs’s (The Princess and the Pizza, 2002, etc.) latest poultry parody. Henrietta reads anything she can get her wings on and neglects her egg-laying duties. But since her aunties aren’t laying many eggs either, their farmer schedules a “vacation” for them. Being the youngest of the bunch, Henrietta is kept behind and regretfully bids goodbye to her aunties, who think she’s being punished for all that silly reading. As the truck pulls away, Henrietta reads the back of it—“Souper Soup Company”—and realizes that her aunties are going on a one-way trip. Using her trusty reading skills, she finds the address to the soup company and manages to save some pigs and cows from a similar fate along the way. In a hilarious climax, the chickens end up at a vegetarian farm and Henrietta’s aunties finally understand the importance of reading. Though the writing is a bit heavy-handed and borderline preachy, the energy and humor can’t be ignored. The brightly colored collage-style illustrations demand attention—especially Henrietta’s big tortoise shell reading glasses. Reading teachers and vegetarians alike will appreciate the message and young readers will find lots to laugh about. (Picture book. 4-8)

Pub Date: April 15, 2003

ISBN: 0-8234-1704-2

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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CHATO'S KITCHEN

Chato and Novio Boy, low-riding East Los Angeles homeboys of the feline variety, have dinner guests. The invitees, a family of five fat mice who just moved in next door, haven't an inkling that they are the intended main course. But when the mice bring along their friend Chorizo (a worldly mutt in a slouch beret) to share the grub, he thwarts the cats' connivings. This unlikely three- species chow-down is a sweet salute to Spanish cooking, with fajitas, frijoles, and quesadillas sharing center stage. Soto delivers a spare, clever text; the words skip like stones across water—``His tail began to swing to the rhythm. He felt the twinge of mambo in his hips.'' Guevara's swarming, luxuriant illustrations give the atmosphere palpability, with brushstrokes so fresh readers will want to stick their fingers in the paint to feel its texture. Menace hangs in the air; the artist mixes the sinisterness of R. Crumb with moments of Edvard Munch terror, yet it seems likely from the outset that the mice are more than capable of looking after themselves. Incidental touches—little devils and angels darting about, a bird wedding glimpsed through a window—are there for the sharp-eyed. Smart, with a nice edge. Soto's inspired finger-snapping prose has found an equally imaginative comrade in Guevara's colorful urban paintings. (Picture book. 4-8)

Pub Date: March 22, 1995

ISBN: 0-399-22658-3

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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