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NOT OUT OF AFRICA

HOW AFROCENTRISM BECAME AN EXCUSE TO TEACH MYTH AS HISTORY

A hard-hitting, persuasive polemic against the ideological perversion of history. In Civilization or Barbarism (1981), Senegalese writer Cheikh Anta Diop argued that black Egyptians brought civilization to Greece and thus became the founders of Western culture. Diop's ideas (not original with him, but previously relegated to an academic fringe) inspired a spate of books and articles arguing that many achievements attributed to the Greeks should be credited to the ancient Egyptians. Lefkowitz (Classics/Wellesley) labels this position ``extreme Afrocentrism'' and convincingly refutes its central claims: that Egyptians invaded Greece during the second millennium b.c. and founded Greek civilization during that period, and that Greek philosophical thought was stolen from Egypt. For evidence of Egyptian invasions, the author asserts, Diop relied selectively on what Egyptian priests told the ancient writer Diodorus, who does not appear to have believed them. There is no archaeological evidence of such invasions, Lefkowitz contends, and Afrocentrist assertions that Aesop, Socrates, and Cleopatra were black have no basis in any textual or archaeological evidence. Ironically, in the author's view, Afrocentrist ideas have their roots in the fancies of an 18th-century French novelist, the AbbÇ Jean Terrasson, and in the theories of a 20th-century American, George G.M. James, who derived their ideas of Egyptian ``mystery cults'' from sources that were actually Greco-Roman. Lefkowitz points out that Egyptian or ancient North African civilization was not ``black,'' that the Egyptian empire was the world's first multiracial society, and that those who inhabited what the Romans knew as ``Africa'' were ancestors of the modern Berbers. In conclusion, Lefkowtiz argues compellingly that racially or ideologically motivated teaching of myths as history diminishes democracy and the integrity of scholarship and imperils the future of universities and our free society. An anguished and eloquent cry against declining standards of historical scholarship and against the teaching of ``feel good'' history.

Pub Date: Feb. 14, 1996

ISBN: 0-465-09837-1

Page Count: 240

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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