McAuliffe creates an expansive landscape in her examination of a transformative decade.
A vivid chronicle of 10 roiling years in Paris.
Historian McAuliffe (Twilight of the Belle Epoque: The Paris of Picasso, Stravinsky, Proust, Renault, Marie Curie, Gertrude Stein, 2014, etc.) takes up where her last book left off, in 1918, to focus on the city’s cultural life after World War I. What Americans called the Roaring ’20s, the French termed les Années folles, “the Crazy Years,” which the author deems an apt epithet for the “what the hell” attitude that pervaded the city’s upper class. But there was more to life in Paris than “endless parties and late-night jazz clubs.” Organizing the book chronologically, McAuliffe portrays a city bursting with creativity in art, music, dance, fashion, architecture, and literature. Drawing on memoirs, biographies, and the many histories of the period, she follows an abundant and diverse cast of characters, creating brief vignettes about the yearly evolution of their lives and careers. Besides the usual suspects found in any history of the Lost Generation—Hemingway, Fitzgerald, Stein, Picasso, Pound, Man Ray, Kiki of Montparnasse, and Cocteau, to name a few—the author includes politicians (de Gaulle, Clemenceau, Pétain) and innovators in fields other than the arts, such as cosmetics manufacturers Helena Rubinstein and Francois Coty; architect Charles Jeanneret, who became famous as Le Corbusier; Marie Curie; couturiers Paul Poiret and, of course, Coco Chanel; and automotive giants Renault, Peugeot, and Citroën. André Citroën, writes McAuliffe, was determined to be the French Henry Ford; he “was not interested in creating a plaything for the rich. He wanted to make a useful car for the middle class,” the equivalent of Ford’s Model T. Within a year of production, thousands of Citroëns were on the road. By 1925, Citroën was the fourth-largest auto company in the world, “behind only the Americans—Ford, General Motors, and Chrysler.” Fast-paced and richly detailed, the narrative nevertheless reprises many well-known stories.
McAuliffe creates an expansive landscape in her examination of a transformative decade.Pub Date: Sept. 15, 2016
ISBN: 978-1-4422-5332-2
Page Count: 352
Publisher: Rowman & Littlefield
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
HISTORY | MODERN | WORLD | GENERAL HISTORY
BOOK REVIEW
Caveat emptor: This is most definitely not ``the history'' of the Jews. It is, rather, a series of very free-flowing exercises in what the author refers to as ``historical sociology.'' Cantor (History, Sociology, Comparative Literature/New York Univ.; Inventing the Middle Ages, p. 106, etc.) is attempting a huge tripartite task: to write a history of the Jews, to provide a historiographical commentary of some major works on Jewish history, and to offer a cultural critique of modern Jewish life. For the complex saga of the Jews, this is an utterly unrealistic goal for a one-volume work, especially by someone who hasn't specialized in Jewish history. Perhaps the foremost problem here is the author's unsympathetic attitude toward Judaism and observant Jews and his lack of knowledge about them. Cantor dredges up the hoariest stereotypes, claiming for instance that in the late Middle Ages ``the rabbinate drugged itself into comfort with the narcotic of the Cabala, an otherworldly withdrawal into astrology and demonology.'' He also gets far too many facts wrong (he claims that the biblical heroine Esther was Mordechai's sister, when in fact she was his ``uncle's daughter''). Some major developments in Jewish history are scarcely mentioned, such as the origins and development of the Reform and Conservative movements. Cantor champions such Jewish thinkers as Freud, Wittgenstein, and LÇvi- Strauss, who played a key role in shaping the culture of modernity. He appears to have little familiarity with intellectual leaders within the Jewish community such as Franz Rosenzweig, Abraham Joshua Heschel, and Yosef Dov Soloveitchik. Thus he rather harshly- -and unjustly—critiques Jewish religious life for not responding sufficiently to the culture of modernity (although he never makes clear exactly what he means by this); yet non-Orthodox Jews have been so accommodating to modernity that, as Cantor acknowledges, traditional Jewish culture has become very attenuated. The lack of footnotes or other documentation is further evidence that this is an intellectually shoddy book. (32 pages b&w photos, not seen)
Pub Date: Nov. 1, 1994
ISBN: 0-06-016746-7
Page Count: 480
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
A wide-angle saga that adds a chapter long missing from official and traditional histories of WW II's Pacific theater: the story of the torments endured by Allied military personnel captured when Japanese forces overran Greater East Asia. Drawing on interviews with survivors of the Japanese prison camps as well as archival sources, Daws (A Dream of Islands, 1980, etc.) effectively combines the experiences of individual American, Australian, British, and Dutch POWs with a panoramic perspective. He probes why the death rate among the more than 140,000 men interned by the Japanese reached 27% (as against but 4% for military prisoners of the Germans). By the author's painstakingly documented account, the causes were legion: inhuman living conditions, starvation diets, an almost complete lack of medical care, constant beatings by brutish guards whose (heartily reciprocated) racial hatred of whites often led to summary executions, forced labor on construction projects like the Burma- Siam railroad, and workaday atrocities. Thousands more POWs perished when the ships transporting them from the fetid jungles of conquered lands to Japan were blown out of the water by Allied aircraft or submarines. Daws provides a start-to-finish narrative, tracking the battered veterans of Bataan, Java, Midway, Singapore, and other campaigns before, during, and after their captivity. While he devotes considerable attention to group bonding, scavenging, and the other stratagems it took to stay alive behind the wire, Daws doesn't neglect the surprisingly cool receptions accorded repatriated POWs. Indeed, he reports, there are precious few memorials to Allied soldiers who died in Asian camps, let alone tributes to the brutalized, sometimes bestialized, survivors condemned to make peace with their freedom after VJ day. Overdue witness, eloquent and harrowing. (16 pages b&w photos, not seen)
Pub Date: Nov. 11, 1994
ISBN: 0-688-11812-7
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
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