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WHITE DRESSES

A MEMOIR OF LOVE AND SECRETS, MOTHERS AND DAUGHTERS

A candid, moving memoir about the many complexities of family.

In a debut memoir, a former CNN reporter and current Emmy Award–winning Good Morning America producer recounts her family’s painful history.

Before Peterson was 10, both her parents had suffered mental breakdowns; her father, after two suicide attempts, finally confessed to his wife that he was gay. After the couple divorced, her mother plummeted into severe depression. For months, she was hospitalized, while her daughter expressed her own pain by reverting to bed-wetting. When her mother returned home, although as warm and loving as she always had been, her spirit seemed broken. Her weight ballooned, she no longer cared about her physical appearance, and, most alarming, she let the house become overrun with debris: newspapers, unopened mail, dirty dishes and clothing, dust and grime. When appliances broke, she failed to get them fixed. The kitchen, Peterson recalls, “began to take on the feel of a used appliance museum.” For college, Peterson left her Wisconsin home for Manhattan and then moved to Atlanta, Germany, and Turkey on posts for CNN. Each time she returned, however, she saw her mother increasingly overwhelmed with trash, refusing Peterson’s offer to help, to hire cleaners, or to find another place to live. Even her car was stuffed with garbage, and the house became infested with mice, chipmunks, bats, and insects. For years, the toilets did not work, causing an acrid stench. As the author’s career took off and as she married and had children, her mother deteriorated, barring everyone from the house and denying that she was a hoarder. Peterson reminded her of their shared love of white dresses, “a way of starting over…a way of wiping the whole slate clean.” But her mother was incapable of renewal, and she died trapped by depression, loneliness, and chaos. Peterson’s generous homage to her mother offers an empathetic look at a baffling, frustrating mental illness.

A candid, moving memoir about the many complexities of family.

Pub Date: Sept. 15, 2015

ISBN: 978-0-06-238697-7

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: June 27, 2015

Kirkus Reviews Issue: July 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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