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CAST NO SHADOW

THE LIFE OF BETTY PACK, THE AMERICAN SPY WHO CHANGED THE COURSE OF WORLD WAR II

Women spies—often notoriously glamorous and driven as much by the thrills as the cause—have customarily used seduction to get what they want. Betty Pack, the subject of this latest biography by Lovell (The Sound of Wings, 1989; Straight on Till Morning, 1987), was a typical woman spy. Not so typical, though, was the significance of her accomplishment. Acknowledged as responsible for providing some of the most important British communications intelligence of WW II, the American-born Pack was a woman ``who took life as she found it, happily meeting challenge after challenge head-on, no matter what the consequences of the collision.'' Described as the most beautiful debutante of the Washington season, she was married at 19 to Arthur Pack, a British diplomat who had impregnated her. The child's birth was kept a secret for many years as Pack, a ``dreadful parent,'' let her son be reared by a foster family in England. Her espionage activities began while stationed in Civil War Spain and continued when her husband was transferred to Poland, where she seduced a top-ranking Pole from whom she learned details of the German Enigma code-machine. Her most significant triumphs, though, came in Washington. There, she seduced and turned an Italian admiral, as well as a Vichy French diplomat from whom she obtained ciphers that gave the Allies vital information about enemy movements. Loyal but unreflective, Pack had methods that were daring and unorthodox—her after-hours nude appearance at the French Embassy so stunned a suspicious nightwatchman that he fled, facilitating the opening of the safe holding the ciphers. Pack's life in France after the war was poignantly anticlimactic; she began writing her memoirs, but died in 1963 from cancer before they were complete. Solid research and tribute paid where due, though Pack, despite all the glamorous and daring things she did, and despite Lovell's best efforts, never quite comes alive here. Disappointing. (Sixteen pages of b&w photographs—not seen.)

Pub Date: April 1, 1992

ISBN: 0-394-57556-3

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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