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PROUST AND THE SQUID

THE STORY AND SCIENCE OF THE READING BRAIN

Wading through a sticky swamp of jargon, readers will here and there find a flower of insight.

Wolf (Child Development/Tufts Univ.) rehearses the history of reading, reviews the latest research in what our brains are doing while we read and summarizes what’s known about the complexities of reading, including causes of and remedies for dyslexia.

Regrettably, she conveys this useful information in off-putting prose assembled from an ill-assorted variety of components. The most oppressive, costive academic jargon rubs elbows with expressions of gee-whiz, ain’t-this-amazin’ enthusiasm. Exclamation points pop up like dandelions on virtually every page, and the author affixes gushy adjectives to the names of many of the authorities she cites, such as “the brilliant neurologist Samuel T. Orton.” (All Wolf’s sources are “brilliant” or “great” or “gifted.”) Also, it’s embarrassing when the author of a work with “Proust” in the title refers to the narrator’s childhood memories being triggered by the smell of a madeleine in the famous scene from Swann’s Way; it was the taste. Despite such stylistic excesses and factual lapses, the author does a creditable job of explaining reading’s complexities. Reading is such a relatively recent human activity that the brain has not evolved to accommodate it, she reminds us; as a result, all children must learn “from scratch” this incredibly complex perceptual and intellectual process. Wolf also effectively summarizes the most relevant brain research. She sensitively discusses dyslexia, including some cases in her own family, and convincingly argues that it is often a number of problems that create the disability. She worries about the increasing number of language-impoverished children arriving in the public schools; she wonders about the effects on our culture and our democracy of generations who have spent far more time viewing Internet images than reading pages of text.

Wading through a sticky swamp of jargon, readers will here and there find a flower of insight.

Pub Date: Sept. 4, 2007

ISBN: 978-0-06-018639-5

Page Count: 336

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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