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THE POISON DIARIES

Jessamine, 16, tends house and garden for her stern apothecary father in isolated Northumberland. Thomas Luxton relentlessly catalogs the properties of plants, visits London for days and forbids Jessamine from entering his locked garden of poisonous specimens. Weed, an orphan able to commune with plants, irrevocably alters their lives as he and Jessamine fall in love. Employing a “concept created by the Dutchess of Northumberland” (whose renowned gardens at Alnwick Castle include a poison garden), Wood fashions a narrative whose conventions of gothic romance intertwine with, then utterly succumb to, the brutal forces of human obsession. As Jessamine sickens mysteriously, Weed desperately seeks her cure, entering the poison garden repeatedly, goaded by Jessamine’s sinister father. Like the supernatural hecklers of Greek mythology, the denizens of the poison garden—their “Prince,” Oleander, paramount—torment Weed into unspeakable acts in love’s service. Innocent Jessamine’s garden diary is taken up by Weed two-thirds in, permitting the author to dig at the notions of human goodness and love’s purity until she exposes their base elements. Absorbing, with room for a sequel. (Historical fantasy. YA)

Pub Date: Aug. 1, 2010

ISBN: 978-0-06-180236-2

Page Count: 288

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: June 28, 2010

Kirkus Reviews Issue: July 15, 2010

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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BLACKOUT

A celebration of Black teen love and the magic of possibility.

Six authors collaborate to create an interwoven story set during a blackout.

Unbearably hot temperatures in New York City cause a sudden blackout, simultaneously throwing plans into chaos and creating unexpected opportunities. Contributor Clayton, who is joined by YA superstars Jackson, Stone, Thomas, Woodfolk, and Yoon, was inspired by Covid-19 and the “metaphorical blackout” it has created for the world to initiate this project that embraces a wide spectrum of Blackness and sexuality. The characters’ final destination is a block party in Brooklyn with Jackson’s “The Long Walk,” a story about reconnecting exes told in five acts, serving as the overarching mechanism to connect the narratives. Stone and Woodfolk contribute queer love stories in “Mask Off” and “Made To Fit” respectively. Thomas’ “No Sleep ’Til Brooklyn” begins as a love triangle, progresses to a love quadrangle—and in the end is about self-love and discovery. Clayton’s story, “All the Great Love Stories…and Dust,” is set in the New York Public Library’s main branch and centers on best friends who may become something more. Yoon’s piece completes the novel with strangers finding love in a ride-share car in “Seymour and Grace.” Working together to deliver a fantastic mix of humor and romance, these authors offer something fun and lighthearted that is welcome during the continuing pandemic and that will bring joy long after it’s over.

A celebration of Black teen love and the magic of possibility. (Fiction. 14-18)

Pub Date: June 22, 2021

ISBN: 978-0-06-308809-2

Page Count: 288

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: April 26, 2021

Kirkus Reviews Issue: May 15, 2021

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