No need to visit a museum to find an exhibit of best friendship; see it on display right here.
The mouse BFFs are back.
After trekking a mountain in Cornbread & Poppy (2022) and riding roller coasters in Cornbread & Poppy at the Carnival (2022), the murine buddies engage in more low-key pursuits. Cornbread is invited to the Founder’s Gala at the Moonville Museum, where a “surprise new exhibit will be revealed.” Guess who’s his plus-one? When Cornbread arrives at Poppy’s, she explains she’s uninterested, and only when Cornbread reluctantly promises outdoorsy Poppy he’ll go camping with her does she relent. Cornbread guides underwhelmed Poppy around. Then the new exhibit is unveiled: the personal effects of the museum’s founder, including her never-before-seen portrait. Everyone notices Poppy’s resemblance to the portrait! Town records are consulted! Poppy’s relationship to the founder’s family is asserted! Sadly, Cornbread’s ignored, his tears causing him to collide with a priceless exhibit. In the end, Poppy makes things right for Cornbread with the donation of a family heirloom. The friends’ charming camaraderie shines in this sweet, gently humorous early reader, but some plot details probably won’t resonate with readers if they’ve never visited a museum. The expression founder’s gala and the details of Poppy’s somewhat complicated ancestry may go over younger audiences’ heads. However, Cordell’s witty, loose pen-and-ink–and-watercolor illustrations are adorable and capture the protagonists’ expressiveness perfectly.
No need to visit a museum to find an exhibit of best friendship; see it on display right here. (Early reader. 5-8)Pub Date: Sept. 26, 2023
ISBN: 9780316508476
Page Count: 80
Publisher: Little, Brown
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
