by Matthew Goodman ‧ RELEASE DATE: Nov. 5, 2019
Basketball fans are not the only readers who will be edified by this significant slice of New York City history.
A college basketball Cinderella story that turned into a scandalous tale.
The 1949-1950 City College team achieved a feat no other has or almost certainly ever will: The Beavers won the NCAA and the National Invitational Tournament in the same season. This double national championship run was improbable in part because the parochial, academic-focused college in Manhattan consisted of African American and Jewish players in an otherwise mostly segregated, WASPy sports world. However, even years after the Beavers’ legendary season, the team would come to be viewed as more infamous than famous, as prominent City College players admitted to accepting bribes from gamblers to shave points during games in that and the subsequently tumultuous 1951-1952 season. Goodman (Eighty Days: Nellie Bly and Elizabeth Bisland’s History-Making Race Around the World, 2013, etc.) takes on the story more as a historian than sportswriter, and readers will be grateful for that. The author describes much of the on-court play-by-play with hackneyed language common for the genre. The notable exception is a memorable chapter on the Beavers’ defeat of the University of Kentucky, coached by segregationist Adolph Rupp, who once said, “the Lord never meant for a white boy to play with a colored boy…else he wouldn’t have painted them different colors.” Most of the riveting action unfolds outside the arena, in the halls of government and through the hands of bookies; here, Goodman is at his scene-setting best. While he occasionally provides more detail than is necessary, he smoothly shapes readable narratives of a deep roster of characters, including coaches (Goodman paints Hall of Fame head coach Nat Holman as a hands-off figurehead and assistant Bobby Sand as a sympathetic workhorse), politicians, police, detectives, organized criminals, and, of course, players (with focus on the lives and achievements of Eddie Roman, Ed Warner, and Floyd Lane).
Basketball fans are not the only readers who will be edified by this significant slice of New York City history.Pub Date: Nov. 5, 2019
ISBN: 978-1-101-88283-2
Page Count: 448
Publisher: Ballantine
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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