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SLAY

From the Freya series , Vol. 2

Overcoming a slow start and Hollywood clichés, this sequel eventually delivers, accelerating to a satisfying cliffhanger...

The Florida deity-exploiting facility may be toast, but to confront the corporation behind it Norse goddess Freya needs friends, good fortune, and the power boost that comes from worshipers, or, as they’re known in the 21st century, fans.

Freya’s high priest, Nathan, and lion-headed Egyptian goddess friend, Sekhmet, have her back. Although Freya’s portfolio of talents can clash with Sekhmet’s, goddess sisterhood proves powerful. Alerted by an ally inside corporate giant Finemdi to Ares’ prominent role there, Freya’s inner Valkyrie spurs her to take him on. But humanity’s wars have strengthened her nemesis, and Freya needs worshipers, too. After Nathan observes that celebrities attract them in droves, it’s Hollywood ho! Gorgeous, blonde Freya’s soon on a fast track to HBO-miniseries stardom. While she revels in adulation, romance blossoms between Nathan and Sekhmet, leaving Freya conflicted; she’s all about love and desire, but Nathan’s her priest. Following a succession of attacks by Finemdi, Freya attempts escape via a portal in a luxury spa operated by the Graces but accidentally delivers her crew to Finemdi headquarters. Unlike the story’s mostly white mortals, deities manifest in diverse colors, cultures, and abilities. Make-me-a-star tropes excepted, Freya retains her quirky appeal, offering wry comments and an intriguing take on deity-human interactions.

Overcoming a slow start and Hollywood clichés, this sequel eventually delivers, accelerating to a satisfying cliffhanger ending. (Fantasy. 14-18)

Pub Date: March 13, 2018

ISBN: 978-1-250-08819-2

Page Count: 384

Publisher: Imprint

Review Posted Online: Feb. 4, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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