Basic math is inescapable, even at dinner parties with the lion king. At this royal meal, the elephant takes half the cake before passing it along, the hippo takes half of that, and so on. When the cake finally reaches the ant, she struggles to cut the tiny remaining slice in two—one for her, one for the king—but it just crumbles to pieces. Mortified, she vows to bake the king a strawberry sponge cake. The other, ruder, animals, not to be outdone, each double the ant’s offering… crescendoing to the elephant’s hard-to-swallow pledge of 256 peanut-butter pound cakes. In addition to witnessing the occasional price of boorishness, young readers will easily grasp how fast things disappear when repeatedly halved, and how quickly numbers add up when doubled. A divided-up cake on the endpapers illustrates fractions from one to 1/128, and the o’er-hasty cake-doublings are displayed in countable cake form, from one to 256. The handsome watercolor-and-ink illustrations are as gently funny as the story, and the heavily partitioned design well suits the math lesson at hand. (Picture book. 6-8)
Pub Date: Feb. 1, 2009
ISBN: 978-0-8027-9768-1
Page Count: 32
Publisher: Walker
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2009
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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