A tender and touching, if inconclusive, tribute to family bonds.
A writer navigates the challenging first year of the pandemic in addition to the grief caused by the death of his mother.
In January 2020, as the Covid-19 virus was just arriving in the U.S., Vollmer, a professor of English and author of two books of short stories and two essay collections, was mourning the loss of his mother, who had died three months earlier due to complications related to Alzheimer’s and Parkinson’s. He was also becoming increasingly obsessed with the mysterious lights his father saw flickering in the woods almost nightly at their family home in the mountains of western North Carolina. Vollmer wondered if the lights were a sign that his mother was trying to communicate with them from beyond the grave. His father, a staunch Seventh-day Adventist, refused to believe in the possibility of ghostly presences, but he grew increasingly unsettled by the lights, to the point that several of his friends and colleagues called his son, concerned about his mental state. By May 2020, his father had reconnected with Jolene, a woman he knew in college now living in Guam. At that time, the lights stopped appearing. Two months later, Jolene was in the U.S., and the two immediately married. Much of the book revolves around the author's swirling memories of the past, particularly of his dynamic and loving mother before her decline. Those memories are entangled with his ambivalent relationship with the strict religion in which he was raised as well as with his mother's concerns that his abandonment of Adventism would risk the possibility that his family could reunite “all of us together in the end” in the afterlife. Raising more questions than he answers, Vollmer nevertheless delicately portrays his “unmoored” state of mind and its evolving connection to radical changes to his family and the world.
A tender and touching, if inconclusive, tribute to family bonds.Pub Date: April 4, 2023
ISBN: 9798885740050
Page Count: 256
Publisher: Hub City Press
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
This is a man who has seen it all, and he sure does know how to tell a story.
Fighting back against a nearly fatal health crisis, a renowned foreign correspondent reviews his career.
New York Times journalist Nordland, a Pulitzer Prize winner, has reported from more than 150 countries. Working in Delhi on July 4, 2019, he had a seizure and lost consciousness. At that point, he began his “second life,” one defined by a glioblastoma multiforme tumor. “From 3 to 6 percent of glioblastoma patients are cured; one of them will bear my name,” writes the author, while claiming that the disease “has proved to be the best thing that ever happened to me.” From the perspective of his second life, which marked the end of his estrangement from his adult children, he reflects on his first, which began with a difficult childhood in Philadelphia. His abusive father was a “predatory pedophile.” His mother, fortunately, was “astonishingly patient and saintly,” and Nordland and his younger siblings stuck close together. After a brief phase of youthful criminality, the author began his career in journalism at the Penn State campus newspaper. Interspersing numerous landmark articles—some less interesting than others, but the best are wonderful—Nordland shows how he carried out the burden of being his father’s son: “Whether in Bosnia or Kabul, Cambodia or Nigeria, Philadelphia or Baghdad, I always seemed to gravitate toward stories about vulnerable people, especially women and children—since they will always be the most vulnerable in any society—being exploited or mistreated by powerful men or powerful social norms.” Indeed, some of the stories reveal the worst in human nature. A final section, detailing his life since his diagnosis in chapters such as “I Forget the Name of This Chapter: On Memory,” wraps up the narrative with humor, candor, and reflection.
This is a man who has seen it all, and he sure does know how to tell a story.Pub Date: March 5, 2024
ISBN: 9780063096226
Page Count: 272
Publisher: Mariner Books
Review Posted Online: Nov. 14, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
An engaging, revealing look at the wild world of the Wu-Tang Clan and beyond.
A memoir from one of hip-hop’s most inventive stylists.
As a member of the Wu-Tang Clan and throughout his solo career, Dennis Coles (b. 1970), aka Ghostface Killah, has been one of the most creative rappers in the game. In this deeply personal text, the author narrates his life story through 15 of his songs. It’s a testament to the richness of his rhymes to see him communicate the same thoughts and feelings in a handful of couplets as he does in a full chapter of prose. Sure, Ghostface offers more context and details in each chapter, whether he’s writing about the struggles of his youth that inspired “All That I Got Is You” or his time selling drugs in “Poisonous Darts,” but that is also a little too straightforward for such a creative artist. Ghostface occasionally uses graphic-novel techniques to make some points, and he turns over the narrative to friends and colleagues to make others. There is no sanitizing of his history here. Ghostface is frank about his drug use, his arrests and time in jail, and his health issues—especially how his diabetes can affect his performances and creativity. He also takes time to educate people about the problems in the music industry, what Islam means to his life and his art, and the impact of slavery and racism on hip-hop and America. “My ancestors used to get whipped, and the rest of the slaves had to sit out there and watch them get whipped until they died,” he writes. “When I watched George Floyd die, it felt like that.” His expansive thoughts on any number of topics are fascinating whether you follow hip-hop or not. The book is vividly designed, featuring pull quotes, sidebars, and color photos.
An engaging, revealing look at the wild world of the Wu-Tang Clan and beyond.Pub Date: May 14, 2024
ISBN: 9781250274274
Page Count: 240
Publisher: St. Martin's
Review Posted Online: Feb. 24, 2024
Kirkus Reviews Issue: April 1, 2024
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