Bawdy and jive, well-researched but underanalyzed.
From 17th-century cant to modern-day music slang, an erudite miscellany that tracks centuries of playful mutations endured by the English language.
Chapters divide the book thematically with each covering one morsel of the slang lexicon, such as the Shakespearean “Beast with Two Backs” and its other naughty euphemisms. Décharné (Capital Crimes: Seven Centuries of London Life and Murder, 2012, etc.) boasts an impressive library of sources, such as Francis Grose’s Classical Dictionary of the Vulgar Tongue (1785), and devotes the majority of his efforts to pinpointing the first printed occurrences of various words. These publications are valuable but inherently problematic, as a word’s popular usage may not always line up with its first printed date. As the author writes, “the trouble with slang, and language generally, is that it doesn’t stay still; meanings shift and mutate with the passing of time or the coming of new associations, and yesterday’s plain speech can become today’s double entendre.” From Grose to Samuel Johnson, Décharné arranges a rich array of Georgian and Victorian vulgarity. Regarding the modern era, the author cedes a large portion of the book to popular music and its associated lingo, from the Beatles to N.W.A. These are some of the most inspired moments of the book, but they outweigh the historical sections and suggest that most slang as it is currently known began in a recording studio. While it's interesting to learn about the origins of band names like the Pogues and the Buzzcocks, one can't help but feel Décharné’s career as a music writer seeping through as he inadvertently shows how thin the line is between etymological history and pop-culture trivia. The author sticks to his role as archivist and rarely gives his own thoughts on why people are drawn to slang: sociological analysis is often glossed over in an effort to delight with more strange words for R-rated things. His exhaustive research is at times exhausting and frequently reduced to mere lists of words and their definitions.
Bawdy and jive, well-researched but underanalyzed.Pub Date: June 6, 2017
ISBN: 978-1-68177-464-0
Page Count: 400
Publisher: Pegasus
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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