by May Tobias-Papa & illustrated by Isabel Roxas & developed by Adarna House, Inc. ‧ RELEASE DATE: Feb. 15, 2013
Based on an award-winning picture book from the Philippines, this charming app brings the sights, smells and tastes of a...
This bilingual storybook app lovingly depicts a young Filipino child’s first visit to the market with her grandmother.
Waking early, a young girl is excited to spend the day with her Nanay since “Today is market day!” As they get off the bus, the little girl says, “Nanay and I each carry a bayong. Nanay’s bayong is big and colorful. Mine is small and yellow.” While English speakers may not know what a bayong is, they will realize with a little guesswork that they need to drag the little yellow shopping bag to the young girl’s arms before turning the page. The warm illustrations complement the text, adding details from the busy market. Readers must interact with the app to turn each page, directly and playfully engaging children in the narrative. Easy controls at the beginning of the story allow readers to select English or Filipino language options, and the child-voiced narration is both authentic and easy to understand. Navigation is hindered by the lack of a table of contents or page controls. The original picture book of this story, Araw sa Palengke, won the first Filipino National Child’s Book Award in 2010.
Based on an award-winning picture book from the Philippines, this charming app brings the sights, smells and tastes of a traditional Filipino market to a wide audience. It’s easy to see why this little girl is so happy to visit it. (iPad storybook app. 3-6)Pub Date: Feb. 15, 2013
ISBN: N/A
Page Count: -
Publisher: Adarna House, Inc.
Review Posted Online: April 30, 2013
Kirkus Reviews Issue: May 15, 2013
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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