An unruly addition to the literature of passion that might have worked better as a novella.
An erotic obsession becomes all-consuming for a female Israeli filmmaker.
Kessler's debut is an X-rated deep dive into the overwhelming fascination of a 36-year-old narrator named Noa Simon with a "fat man dressed in a white shirt—or, on second glance, pink—one button excessively undone, exposing a hint of his tanned chest." This is Teddy Rosenfeld, whom Noa meets at a wedding. He and his business partner, Richard Harrington, are so impressed with a video Noa has made as part of the entertainment that they suggest she come work for them at their marine biotech firm. As the wedding reception progresses, Noa and Teddy smoke cigarettes together, go to the bathroom and pee together, and flirt with each other almost violently, though Teddy stops Noa's game far short of what she's hoping for. As they part, Noa sends a final salvo: "There's no woman in this world, in your entire life, who's wanted you as much as I want you." Over the next almost-400 pages, the force of Noa's desire will generate a ferocious sexual affair, conducted as she becomes an employee of Delmar Bio Solutions and gradually overcomes Teddy's resistance, increasingly involving herself in his complicated personal life, which includes multiple children and ex-wives. Noa is a wild, angry, difficult woman; Teddy is a big, sexy mensch women are crazy for; and Kessler portrays their relationship, their conversations, their sex, and their arguments with abandon—behind Noa's obsession with Teddy is Kessler's obsession with both of them. As the drama goes on and on, digging toward the aspects of their lives that the couple are withholding from each other—in Noa's case, her estrangement from her mother; in Teddy's, a "situation" with his second wife—the experience of reading it is a bit like sex that goes on too long. (Beige. I should paint the ceiling beige.) But obsession is as obsession does.
An unruly addition to the literature of passion that might have worked better as a novella.Pub Date: Nov. 19, 2024
ISBN: 9781668053454
Page Count: 400
Publisher: Avid Reader Press
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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