A good run at constructing an out-of-the-ordinary romance that never quite succeeds.
The sequel to Waters' dystopian Archetype (2014) is set in a world where women are in scarce supply and cloning has a creepy, but increasingly important, role in society.
Emma Wade Burke has managed to escape from Declan Burke, the richest man in America, who claims to be her husband; she's fled to Mexico, where she hunts for her resistance-connected parents. But Declan’s obsession with Emma threatens the resistance, which fights against the components of society that allow women and female children to be treated as possessions. Within moments of making contact with a man she hopes might help her, Emma discovers Declan has offered a huge reward for her return and that plenty of takers exist. Emma returns to the resistance fighters’ headquarters and her true husband, Noah, the father of her child. But this Emma is a clone of the woman Noah married. His wife died, and many in the resistance movement don’t accept that Emma, the clone, is as much a human being as they are. After settling into everyday life around the facility, Emma decides she must resume the search for her parents, no matter where that might take her, even if it means walking back into Declan’s life. While Waters works hard to convince readers that Emma’s clone is every bit as human as Emma, the character herself emphasizes her differences by speaking in an oddly formal and stilted manner. Although billed as a futuristic story involving a dystopian society, the plot really centers on Emma’s tiresome swooning over both Declan and Noah. When she’s not daydreaming about Noah’s amber eyes or Declan’s lush lips, Emma proves to be an interesting-enough heroine, but those who are not up for a romance novel will find her dilemma tiresome.
A good run at constructing an out-of-the-ordinary romance that never quite succeeds.Pub Date: July 24, 2014
ISBN: 978-0-525-95424-8
Page Count: 368
Publisher: Dutton
Review Posted Online: June 18, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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