An elegant, classic, and vivid fairy tale.
A rich, Russian-influenced retelling of “Beauty and the Beast.”
Bored by her comfortable life in town, Yeva (Beauty) longs for the woods. But when her merchant father loses their fortune and retreats to the wilderness with Yeva and her older sisters, Lena (Light) and Asenka (Grace), Yeva must remember her woodcraft in order to protect her family. Preferring solitude to her persistent suitor, Solmir, and a brewing love triangle—Asenka is drawn to Solmir—Yeva hunts, first for game, then for the Beast. Blaming the Beast for her father’s absence, Yeva becomes his captive, then his would-be assassin—trained to kill for him but also hoping to kill him—yet struggles to reconcile his violence and humanity. Building upon a familiar tale, Spooner creates a detailed world populated by complex characters, with medieval household mundanities and retellings of Russian folk tales anchoring the later fantastic elements. No Disney heroine, white, red-haired Yeva is also—appreciably—not an instantly lethal, superpowered heroine, although she is single-mindedly bent first on survival, then on revenge. Love blooms slowly, but this is an old-fashioned romance reminiscent of Robin McKinley’s and Patricia McKillip’s novels, concerned with the power of stories.
An elegant, classic, and vivid fairy tale. (Fantasy. 12 & up)Pub Date: March 14, 2017
ISBN: 978-0-06-242228-6
Page Count: 384
Publisher: HarperTeen
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Dec. 1, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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