A problematic survey of Indian Americans’ accomplishments.
Making it in America.
When Ahamed arrived in suburban Boston in 1970, she felt “an acute sense of disappointment,” she writes. “What were these quaint, old-fashioned houses doing in the land that had sent men and rocket ships to the moon?” The silence of her new home made her long for the noise and liveliness of her native India. In the ensuing decades, her opinions changed—so much so that she was inspired to write a book about her adopted country and to explore the contributions that Indian Americans have made to American culture and society. Ahamed chose to focus on three fields: tech, medicine, and public policy. Each section of the book features interviews and profiles of Indian American leaders, including Sun Microsystems founder Vinod Khosla, author and neurosurgeon Atul Gawande, and 2024 Republican presidential candidate Nikki Haley. Most of the leaders Ahamed profiles are men; the exceptions are Haley, as well as sisters and businesswomen Chandrika Tandon and Indra Nooyi, who share a chapter. While several of the interviews present fascinating insights into the characters of these high-profile people—for example, legal scholar Neal Katyal discusses how taking improv classes improved his performance arguing in front of the Supreme Court—the book lacks overall coherence, jumping between leaders without drawing sufficient connections between their attitudes and histories. Ahamed’s implicit definition of success seems to involve amassing degrees from elite institutions and becoming wealthy, an approach that not only reinscribes the model minority myth, but also is debunked by interviewees like Surgeon General Vivek Murthy.
A problematic survey of Indian Americans’ accomplishments.Pub Date: Feb. 15, 2025
ISBN: 9789365692402
Page Count: -
Publisher: HarperCollins
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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