by Meg Elison ‧ RELEASE DATE: April 23, 2019
A thoughtful extrapolation of contemporary gender and sexuality issues in need of wider discussion and understanding.
The restless conclusion of The Road to Nowhere trilogy, set generations after a virulent disease killed most men and even more women, making women a precious commodity and childbirth a hazardous enterprise.
Flora, a transwoman raised as a sex slave, tells her story from essentially two points of view: as an old woman writing her autobiography after many years of residence on Bambritch (Bainbridge) Island near Settle (Seattle) as an invasion looms; and as a younger woman continuing the plot from The Book of Etta (2017), sprinkled with memories of her difficult childhood and adolescence. Having killed the Estiel (St. Louis) warlord known as the Lion, the survivors of his harem have taken somewhat uneasy refuge in the underground town of Ommun, a matriarchal Mormon community led by Alma, whose many successful pregnancies and supposedly divine visions have led her followers to believe her a prophet. Flora; her lover Alice, a skilled herbalist and occasional abortionist; the transman Eddy, Flora’s unrequited love and one of Alice’s other lovers; and a small group of followers reject Alma’s theocratic governance and return to the world above, where they search for somewhere that will allow them to live without the threat of slavers and rigid expectations of gender and sexuality. The market is currently flooded with dystopias in which women are valued for their breeding and rarity as sexual receptacles, where the divide between women and men has grown and the definition of gender is more rigidly reinforced. This series, and this book in particular, refreshingly argues that despite violent opposition, an imbalance in the number of women and men might offer more freedom for some to make their own definitions of gender, sexuality, and selfhood and that even in a world where fertility is damaged and pregnancy a risk, one doesn’t need to devote oneself to having or facilitating the having of babies to be valuable. If the story has a flaw, it is the author’s penchant to suddenly introduce a meaty bit of plot just before the book ends and then quickly conclude without fully exploring it.
A thoughtful extrapolation of contemporary gender and sexuality issues in need of wider discussion and understanding.Pub Date: April 23, 2019
ISBN: 978-1-5420-4209-3
Page Count: 332
Publisher: 47North
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Andy Weir ‧ RELEASE DATE: Feb. 11, 2014
Sharp, funny and thrilling, with just the right amount of geekery.
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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Andy Weir ; illustrated by Sarah Andersen
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