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DEAD GIRLS TALKING

An also-ran in the crowded YA mystery/thriller space.

Small-town secrets, dead blonds, and teen sleuths.

In a North Carolina town where social class dominates, wealthy Bettina Jane Holland, who comes from old money, lives under the shadow of her father’s brutal murder of her mother. Trapper McGrath, her father, was a drifter who never finished high school, and Bett’s been raised by her maternal grandparents, the Hollands. Now, on the 10th anniversary of Trapper’s conviction, Bett finds another woman murdered in the same way—and learns that the prosecutor from the original case (an associate of Bett’s powerful grandfather) has died by suicide. Bett, torn between pleasing her old-fashioned grandparents (who employ staff and have formal dinners every night) and rebelling against them, needs to believe in her father’s guilt despite his long-maintained innocence in order to live with the fact that her testimony put him away. She’s consumed by her own drama and pushes away anyone who asks about the murder, including her longtime best friend, whose financially struggling mother started a “ghost tour” to capitalize on the murder and bring in cash. Clunky dialogue, an obvious red herring that drives the plot, and an ending that shies away from the moral complexities Bett seemed poised to confront detract from the central puzzle. Main characters are coded white.

An also-ran in the crowded YA mystery/thriller space. (Mystery. 13-18)

Pub Date: June 11, 2024

ISBN: 9780823457014

Page Count: 288

Publisher: Holiday House

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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