by Megan McDonald ; illustrated by Katherine Tillotson ‧ RELEASE DATE: March 25, 2014
Totally ebullient.
An irrepressible dog can’t resist falling into the same type of mischief over and over again, until something surprising changes his pattern.
This small, wiggly pup bounces upward as a silhouetted woman enters the animal shelter. He longs for a home “warm as soup / and cozy as pie,” full of nose kisses and tummy rubs. And oh, how exciting—the woman takes him home! “That very day, / Shoe Dog chewed through / five high heels, / four flip-flops, / three sneakers, / two boots, / one wing tip.” Scolding—“ ‘BAD DOG!’ / She, Herself said”—and punishment—no petting or access to the Big Bed—see him lying forlornly in a gray-blue space, subdued. But each time new shoes arrive, he tracks down and rips into the fresh box, chomping every shoe with gusto. Consequences ratchet up mildly, but Shoe Dog never learns impulse control as such; instead, unexpectedly, he meets a shoe he’d never, ever chew. Finally he’s welcome “on the Big Bed / in the Land of Upstairs,” curling up blissfully with his new shoe-love. Tillotson uses thick black lines for Shoe Dog’s scribbly, coiled-spring body, smudging charcoal inside his shape to give him substance; scraps of pink and beige mark his pointy ears and muzzle. Motion lines show how he scampers and bounds. The visual angle varies, and shoe-box tissue paper flies through the air.
Totally ebullient. (Picture book. 3-7)Pub Date: March 25, 2014
ISBN: 978-1-4169-7932-6
Page Count: 40
Publisher: Richard Jackson/Atheneum
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Megan McDonald ; illustrated by Scott Nash
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by Kat Yeh ; illustrated by Chuck Groenink ‧ RELEASE DATE: Dec. 6, 2016
A sweet, simple story with a nicely offbeat heroine.
All the animals are welcome to come aboard.
Hedgehog seems very lonely, “curled up in a prickly little ball in a lonely little nook of a lonely little tree.” When she overhears a sympathetic conversation about friendship “out there,” she perks up, picturing a beautiful “Friend Ship.” Hedgehog sets sail with a curious beaver in a small boat to find it. Before long, the duo spots a herd of migrating deer on the shore. Hedgehog asks if they’ve seen the Friend Ship; all reply that they could use a friend and hop aboard. Next, the company spies a rat, who asks to join them. They sail in multiple directions to no avail. Hedgehog begins to lose hope, but her companions convince her to persist. She spots a small island, its only resident an elephant. Hedgehog swims the distance and asks the elephant about the Friend Ship. The elephant points at Hedgehog’s small boat full of animals and asks, “Isn’t that it—right over there?” It’s a lightning-bolt moment. Hedgehog invites the elephant aboard, and they sail west, celebrating all the while…into the sunset together. Yeh makes effective use of dialogue and repetition, investing her characters with personality with just a few lines. Groenink employs sunny, warm hues that increase in saturation as the boat fills and Hedgehog becomes surrounded by friends.
A sweet, simple story with a nicely offbeat heroine. (Picture book. 3-6)Pub Date: Dec. 6, 2016
ISBN: 978-1-4847-0726-5
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: Oct. 10, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Kat Yeh ; illustrated by Isabelle Arsenault
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by Margarita del Mazo ; illustrated by Silvia Álvarez ‧ RELEASE DATE: Nov. 10, 2015
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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