A gripping, unusual romance fueled by an ongoing mystery.
An accident links the lives of two lovers in Staffel’s novel.
Rachel Goodwin first sees Rubiat Elsayem when they attend a New York college together and meet in a performance art class called Body Expression. They’re partners on a project in which each must define the other’s essential quality. They fall in love over a 24-hour period before finding themselves on a long hike at Stony Brook State Park. Rachel watches Rubiat impulsively dive from a cliff and assumes (incorrectly) that he’s dead. She tries desperately to move on from the shock. The novel is split into two halves: The first follows Rachel through the aftermath as she builds her career as an artist and language teacher in Queens, eventually meeting someone new. The second follows both Rachel and Rubiat. Rachel unpacks her deep feelings for Rubiat, and he explores his issues with impulse control and pressure in the wake of leaving Rachel in such a spectacularly weird way. Staffel also incorporates perspectives from Dusty, Rachel’s boyfriend, whom she meets through her friend Angela, who’s Chinese American. The book movingly depicts the complexity of human psychology, such as Rachel’s inability to forget Rubiat. Other weighty themes, like Angela’s exoticization by her German boyfriend, are glossed over—a missed opportunity. Ultimately, the novel becomes a fascinating portrayal of identity, expanding on the moment that brought Rachel and Rubiat together (which lends its name as the title), explained by their teacher as an exercise that would guide the participants toward finding “their deepest motivation, the hidden foundation of their character, that quality that makes them the person they are.” A suspenseful plotline, sometimes slowed by flat secondary characters, continues to investigate the cast’s motivations, and Staffel probes Rachel’s and Rubiat’s personalities right until the final page.
A gripping, unusual romance fueled by an ongoing mystery.Pub Date: Oct. 22, 2024
ISBN: 9781646034932
Page Count: 223
Publisher: Regal House Publishing
Review Posted Online: July 18, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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