A gripping, unusual romance fueled by an ongoing mystery.
An accident links the lives of two lovers in Staffel’s novel.
Rachel Goodwin first sees Rubiat Elsayem when they attend a New York college together and meet in a performance art class called Body Expression. They’re partners on a project in which each must define the other’s essential quality. They fall in love over a 24-hour period before finding themselves on a long hike at Stony Brook State Park. Rachel watches Rubiat impulsively dive from a cliff and assumes (incorrectly) that he’s dead. She tries desperately to move on from the shock. The novel is split into two halves: The first follows Rachel through the aftermath as she builds her career as an artist and language teacher in Queens, eventually meeting someone new. The second follows both Rachel and Rubiat. Rachel unpacks her deep feelings for Rubiat, and he explores his issues with impulse control and pressure in the wake of leaving Rachel in such a spectacularly weird way. Staffel also incorporates perspectives from Dusty, Rachel’s boyfriend, whom she meets through her friend Angela, who’s Chinese American. The book movingly depicts the complexity of human psychology, such as Rachel’s inability to forget Rubiat. Other weighty themes, like Angela’s exoticization by her German boyfriend, are glossed over—a missed opportunity. Ultimately, the novel becomes a fascinating portrayal of identity, expanding on the moment that brought Rachel and Rubiat together (which lends its name as the title), explained by their teacher as an exercise that would guide the participants toward finding “their deepest motivation, the hidden foundation of their character, that quality that makes them the person they are.” A suspenseful plotline, sometimes slowed by flat secondary characters, continues to investigate the cast’s motivations, and Staffel probes Rachel’s and Rubiat’s personalities right until the final page.
A gripping, unusual romance fueled by an ongoing mystery.Pub Date: Oct. 22, 2024
ISBN: 9781646034932
Page Count: 223
Publisher: Regal House Publishing
Review Posted Online: July 18, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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