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THE SUBPLOT

WHAT CHINA IS READING AND WHY IT MATTERS

A succinct, fascinating overview of literary ambivalence in China.

The gripping yet uneasy state of literature in China.

Journalist Walsh’s first book is an eye-opening glimpse into China’s “intentionally hazy” authoritarian political climate of censorship and propaganda, which disorientates its fiction scene—a “mixture of staggering invention, bravery, and humanity, as well as soul-crushing submission and pragmatism.” China is in the midst of a science-fiction golden age thanks to novels like Liu Cixin’s global bestseller, The Three-Body Problem(2015), among others. Walsh describes how many young writers embrace online or self-publishing to bypass China’s state-controlled publishing program as they “reveal the truth and highlight what is still hidden.” Mo Yan, the Nobel Prize–winning author, is both praised and condemned as a mouthpiece for the state; Walsh calls his fiction “garrulous, feverish, and often smutty.” Female author Wei Hui’s 1999 erotic bestseller, Shanghai Baby, showed that in “China’s new market economy sex and controversy were great for business.” The rise of China’s internet and its rural migrant workers spawned the most comprehensive poetry movement in the world, while Lu Yao’s novels portrayed “poor, rural idealists dreaming up a new life in the city.” Walsh chronicles how hugely popular, escapist online fantasy novels reveal the “mercenary, amoral instincts of the market.” The government has cashed in with its own University of Online Fiction, with Mo Yan “nominally at the helm, a move he finds as peculiar as anyone else.” Largely dominated by Japanese manga, China has “become the biggest comic book market in the world,” with its underground comics scene providing a transgressive and masochistic view of the world. Tibetan and Han Chinese writers, writes Walsh, “have played a controversial role in both the elevation and erosion of ethnic difference.” In a society with a draconian legal system, crime fiction lags far behind SF. As Walsh cautiously writes, it’s “hard to say what the future holds.”

A succinct, fascinating overview of literary ambivalence in China.

Pub Date: Feb. 8, 2022

ISBN: 978-1-7359136-6-7

Page Count: 136

Publisher: Columbia Global Reports

Review Posted Online: Nov. 3, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

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An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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