A powerful and memorable set of tales that fuse fantasy and reality into women’s struggles.
Bobe’s collection of sometimes-fantastical short stories features women in situations that highlight the perils and the beauty of existence.
In a Ray Bradbury–inspired framing story, “The Illustrated Woman: Part One,” a young woman visits a carnival with some friends, eventually wandering into the tent of a woman covered head-to-toe in tattoos. As the visitor gazes at different images, she sees different stories: “And they moved, and changed, and showed me. And I found that I could see.” Each of the tales features a female protagonist, and they collectively cover a wide range of themes. In the story “Through Water, Through Glass,” the unhappily engaged Rori yearns for a position at the elite Ocean Study Center in an unspecified city; during a tour of the place, she sees a narwhal. When she later briefly visits her unnamed hometown in the Arctic, the unusual sight of a different narwhal coincides with a near-death experience. In the tale “These Dark Deeds,” Eliza reminisces about the summer she was 13,when she and her younger brother, Josh, went to live with their older brother, Tim, after their parents’ deaths. After Josh goes missing, Eliza uncovers a secret cult that’s been operating in the town for generations. In perhaps the eeriest story, “Indelible,” a young nanny watches her two charges on an “art train” featuring traveling exhibits, but is continually haunted by memories of her sister’s suicide and a “hellish garden of tormented bodies and women who no longer were.”
Some stories rely more heavily than others on fantasy or supernatural elements, such as the demon Moloch in “Come the End, She will Be Light.” Although the tales offer a mix of happy and horrifying conclusions, many are simply open-ended. Bobe breathes life into each one of these miniature works, and each imaginary world she builds is distinctive, whether it’s a college campus or a parallel dimension full of beasts. The frame story is short and sweet, allowing the focus to remain on the winding journeys of the intriguing women in other works. Recurring themes of abuse, resilience, trauma, and choice effectively permeate the narratives; on occasion, though, the symbolism and messaging can be a tad heavy-handed (Rori internally muses that her engagement ring is “so damned heavy” while planning a wedding to a man she doesn’t love, for instance). One tale, “A Taste of Memory,” stands out as much shorter and more esoteric than the others, with an intense focus on the memories and feelings that various tastes and textures can evoke, and some readers may find its experiment to be unsuccessful. By and large, however, Bobe creates consistently absorbing fictional worlds, using smooth prose and dialogue that effectively transport audiences into each expertly crafted milieu. Genuinely funny moments—as when a character describes an influx of demons in a small town as “cosmic menstruation”—appear unexpectedly, as do heartbreaking ones. The author also conjures real moments of fear, which sometimes have a ghostly cast.
A powerful and memorable set of tales that fuse fantasy and reality into women’s struggles.Pub Date: Dec. 17, 2024
ISBN: 9798991379908
Page Count: 346
Publisher: The Hive Press
Review Posted Online: Dec. 20, 2024
Review Program: Kirkus Indie
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
