Marr fans will be happy to learn this is a series opener.
Festive subtitle notwithstanding, traversing the complicated, shallowly rendered world of this exposition-heavy fantasy is a dreary slog, like reading a gaming manual cover to cover.
Years after the Witch Wars exiled witches to the human world, daimons remain in possession of The City. (Daimon attributes include retractable talons, fangs and, under stress, berserker temperament.) Encroaching on the overcrowded, brutal City is a beast-ridden wilderness, a parting gift of the witches, power-hungry, magically gifted humanoids. For City residents outside the ruling caste, career options are limited: assassin, thief, con artist, prostitute or, once a generation, combatant in deadly gladiatorial games. For entertainment, there’s the eponymous Carnival and the Night Market (see career options). As heirs of daimon rulers rarely survive childhood, Mallory, daughter of City ruler Marchosias, has been hidden in the human world, raised by her adoptive witch dad. Kaleb, the daimon sent to kill her, is smitten instead. Drably generic Mallory is ignorant of her heritage, but it’s revealed early to readers, leaching the story of suspense. Characters frequently pause the action to muse on what they and readers already know. Vaguely orgiastic, sadomasochistic sex and violence stand in for genuine emotion. Only the violence, delineated in bloody detail, is graphic.
Marr fans will be happy to learn this is a series opener. (Paranormal romance. 13 & up)Pub Date: Sept. 4, 2012
ISBN: 978-0-06-165928-7
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A fresh, generous, wide-ranging compendium of frights.
Spooky stories covering multiple subgenres, plus some added attractions.
Few horrific tropes or creepy conventions are overlooked in Duplessie’s debut. The stories are arranged into six sections: “Short Frights for Dark Nights,” “Anatomical Anomalies,” “Five Minutes in the Future,” “Be Careful Who You Trust,” “The Dark Web,” and “The Unearthly, the Ghoulish, and the Downright Monstrous.” Some of the best entries are grounded in familiar setups, but Duplessie is careful to avoid repetition. The stories’ relatively short lengths and the crisp, direct writing style make this volume inviting for even reluctant readers, but it doesn’t shy away from the truly terrifying and grotesque. That said, the grisliest events are often described with poetic elegance rather than gratuitous violence: “His face collapsed like an empty paper bag.” The stories frequently conclude with the suggestion of frights to come rather than graphic depictions. One ends with an overly curious girl getting sealed up in a brick wall. Another foreshadows the murderous power of a cellphone. Highlights include the eerie “The Reaping,” in which the prick of a rose’s thorn triggers a spate of bloodlust, and “Chamber of Horrors,” which features a murderous iron maiden. Each story ends with a bonus in the form of a QR code and instructions to “scan the code for a scare”—if readers dare. Short, eerie poems are peppered throughout; there are even a handful of riddles. Most characters read white; names cue some ethnic diversity.
A fresh, generous, wide-ranging compendium of frights. (Horror. 13-18)Pub Date: Oct. 10, 2023
ISBN: 9780063266483
Page Count: 224
Publisher: Clarion/HarperCollins
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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