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IDENTITY CRISIS

For teens looking for love in all the wrong places, this social media fable is dramatized with love triangles, revenge, and...

Teenage girls play out a revenge drama online only to discover that there’s no hiding one’s true identity.

The two key characters, Annalise and Noelle, go to the same high school, but they aren’t friends. The shallow girls tell a shallow story through first-person chapter swaps. Noelle, at the behest of her grudge-bearing BFF, Eva, creates a bogus virtual romance to woo beautiful Annalise away from Noelle’s love interest. The guy bait, Declan, is a home-schooled relative of Eva who isn’t on social media and knows nothing of this charade. Disillusioned by guys who ogle her plus-sized boobs, Annalise is seduced by online conversations with Noelle/Declan, who seems ideal: clever, sensitive, and like-minded. Then Annalise decides to meet Declan in person, discovers the deceit, and proceeds to turn the tables on the vendetta. As plans go haywire, the teens begin to realize the darkness of their deeds, and both girls, stripped of anonymity, find their consciences. This tale seeks to authentically depict the current digital age while making a plea for finding depth and accountability in relationships. A story of revenge is often a crowd pleaser, and here this morality tale succeeds, but the intended audience will probably be too busy surfing the Web to read it.

For teens looking for love in all the wrong places, this social media fable is dramatized with love triangles, revenge, and rock-’n’-roll. (Fiction. 13-17)

Pub Date: Jan. 1, 2016

ISBN: 978-1-4405-9013-9

Page Count: 240

Publisher: Merit Press

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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THE GOOD BRAIDER

Refreshing and moving: avoids easy answers and saviors from the outside.

From Sudan to Maine, in free verse.

It's 1999 in Juba, and the second Sudanese civil war is in full swing. Viola is a Bari girl, and she lives every day in fear of the government soldiers occupying her town. In brief free-verse chapters, Viola makes Juba real: the dusty soil, the memories of sweetened condensed milk, the afternoons Viola spends braiding her cousin's hair. But there is more to Juba than family and hunger; there are the soldiers, and the danger, and the horrifying interactions with soldiers that Viola doesn't describe but only lets the reader infer. As soon as possible, Viola's mother takes the family to Cairo and then to Portland, Maine—but they won't all make it. First one and then another family member is brought down by the devastating war and famine. After such a journey, the culture shock in Portland is unsurprisingly overwhelming. "Portland to New York: 234 miles, / New York to Cairo: 5,621 miles, / Cairo to Juba: 1,730 miles." Viola tries to become an American girl, with some help from her Sudanese friends, a nice American boy and the requisite excellent teacher. But her mother, like the rest of the Sudanese elders, wants to run her home as if she were back in Juba, and the inevitable conflict is heartbreaking.

Refreshing and moving: avoids easy answers and saviors from the outside. (historical note) (Fiction. 13-15)

Pub Date: May 1, 2012

ISBN: 978-0-7614-6267-5

Page Count: 224

Publisher: Marshall Cavendish

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: May 15, 2012

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STAY GOLD

Several yards short of a touchdown.

A transgender boy starting over at a new school falls hard for a popular cheerleader with a reputation to protect in this debut.

On the first day of senior year, transgender boy Pony locks eyes with cisgender cheerleader Georgia. They both have pasts they want to leave behind. No one at Hillcrest High knows that Pony is transgender, and he intends to keep it that way. Georgia’s last boyfriend shook her trust in boys, and now she’s determined to forget him. As mutual attraction draws them together, Pony and Georgia must decide what they are willing to risk for a relationship. Pony’s best friend, Max, who is also transgender, disapproves of Pony’s choice to live stealth; this disagreement leads to serious conflict in their relationship. Meanwhile, Georgia and Pony behave as if Pony’s trans identity was a secret he was lying to her about rather than private information for him to share of his own volition. The characters only arrive at a hopeful resolution after Pony pays high physical and emotional prices. McSmith places repeated emphasis on the born-in-the-wrong-body narrative when the characters discuss trans identities. Whiteness is situated as the norm, and all main characters are white.

Several yards short of a touchdown. (Fiction. 14-17)

Pub Date: May 26, 2020

ISBN: 978-0-06-294317-0

Page Count: 368

Publisher: HarperTeen

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 15, 2020

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