The clever supposition will keep kids imagining the amusing possibilities of one common story.
A cat and a dog’s lazy day on the couch is interrupted by the appearance of a bold mouse.
What actually happens is related through a series of questions to which the cat responds, correcting certain assumptions that did not occur. The possible scenarios are depicted in the fully expressive acrylic paintings integral to the imaginative (though sometimes incorrect) narrative, as one version is outlined within the questions and then the correct perspective is presented. “So there was a scary dog, right?” Here readers see an orange cat with eyes wide open partially hiding behind the couch where a large white dog is sitting wearing a spiked collar and with an angry, alert expression on its face. “No!” is the response, and the dog is revealed to be mild-mannered and plain-collared. “But there was a cat, right?” Both dog and cat look utterly astonished. “Yes” is the response. “And the dog was wide awake, right?” The dog, sitting upright, is pondering the situation while the cat snoozes. “No!” is the response. “But the cat saw a mouse, right?” This exchange continues until the story’s tangible outcome is eventually told. Fox’s intriguing call-and-response storytelling approach allows readers to surmise what might have happened against what really took place. The mouse is chased into a hole, and Fox gives kids another opportunity to continue the story. “And then the mouse came out to say hi, right?” The mouse stands before a bewildered dog and cat holding a violin and bow. “Hmmm, what do you think?” (This book was reviewed digitally.)
The clever supposition will keep kids imagining the amusing possibilities of one common story. (Picture book. 3-6)Pub Date: Sept. 28, 2021
ISBN: 978-1-4169-8688-1
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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