A lovely, gentle story for bedtime sharing.
A little boy loves to cuddle and chat with his stuffed-animal friends at bedtime.
His bedtime ritual includes a good-night kiss, a story and a loving “good night” with his mother, but he most looks forward to his whispered conversations with beloved friends Greedy Goose, Blue Horse and Fat Rabbit. Each animal in turn discreetly calls for attention, respectively coughing a little cough, shaking a mane or twitching ears. The boy then asks the title question, followed by the animal telling him “the what, the who, the why, and the way…the whole wild thing…turned out okay.” The specifics are told wordlessly and in great detail in Stringer’s bright acrylic illustrations with just the right softly fuzzy surroundings. From Goose’s encounter with a pink umbrella to Horse’s deployment as an emergency picnic site (a blanket thrown over his back makes his rockers a fine tent) to Rabbit’s clothespin-pinched bottom, these adventures are charming and easy for little readers to follow. The boy’s version of his daytime activities is related in exactly the same manner and nicely meshes with the previously told tales. Bedroom scenes are more sharply defined, large-scale, full- and double-page spreads. Fox’s use of rhyme and repetition has a flowing cadence that moves briskly along while allowing time to savor the details of the innocent delight of a small child’s imagination.
A lovely, gentle story for bedtime sharing. (Picture book. 3-7)Pub Date: Sept. 4, 2012
ISBN: 978-1-4169-9006-2
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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