A haunting and unrelenting volume of Holocaust-centered works.
Rosensaft explores the grief into which he was born in this collection of poems.
The author was born in the Bergen-Belsen displaced persons camp to two survivors of the Holocaust. His older brother, Benjamin, was killed at a concentration camp during the war, an event that the poet references in “A Refusal To Forgive the Death, by Gas, of a Child in Birkenau”: “my mother’s son / my mother’s child / his ashes diffused / toward the stars / almost three years / before I was born.” Rosensaft’s poems reverberate with loss as he grapples with the guilt of Polish bystanders who watched Nazis round up their Jewish neighbors and with his own longtime distrust of German names: “the difference,” reads one poem, “between John Smith / and / Hans Schmidt / is that I never wonder / whether John’s father / killed my brother.” His ruminations extend beyond the scope of World War II to subsequent genocides as well as more recent events, such as the Covid-19 pandemic and the Black Lives Matter movement: “we must now all shout / that Black lives matter / until no child of God / ever again dies gasping / ‘I can’t breathe.’ ” The opening poem, “in the seconds after the truck hit me,” reveals the poet as a grandfather, still acutely aware of the fleetingness of life and all that can be lost in a split second. Rosensaft’s poems are sparse and measured, filled with images of ghosts, fires, ash, and darkness; they’re rarely portraits of quiet grief. More often, he animates the words with simmering anger as they voice frustration toward perpetrators, bystanders, and even God. It’s a cohesive collection, though some of the most affecting moments are when the author wanders further afield, as when he remembers his deceased parents while at a hotel in sunny San Remo: “paradise comes in different forms / we each have our own / if we can find it / mine is here.” Even so, his staccato verses always find their way back to the Holocaust era, reminding readers that some parts of the past are always present.
A haunting and unrelenting volume of Holocaust-centered works.Pub Date: April 8, 2021
ISBN: 978-1-952326-54-7
Page Count: 124
Publisher: Kelsay Books
Review Posted Online: March 4, 2021
Kirkus Reviews Issue: April 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.
Two bestselling authors engage in an enlightening back-and-forth about Jewishness and antisemitism.
Acho, author of Uncomfortable Conversations With a Black Man, and Tishby, author of Israel: A Simple Guide to the Most Misunderstood Country on Earth, discuss many of the searing issues for Jews today, delving into whether Jewishness is a religion, culture, ethnicity, or community—or all of the above. As Tishby points out, unlike in Christianity, one can be comfortably atheist and still be considered a Jew. She defines Judaism as a “big tent” religion with four main elements: religion, peoplehood, nationhood, and the idea of tikkun olam (“repairing the world through our actions”). She addresses candidly the hurtful stereotypes about Jews (that they are rich and powerful) that Acho grew up with in Dallas and how Jews internalize these antisemitic judgments. Moreover, Tishby notes, “it is literally impossible to be Jewish and not have any connection with Israel, and I’m not talking about borders or a dot on the map. Judaism…is an indigenous religion.” Acho wonders if one can legitimately criticize “Jewish people and their ideologies” without being antisemitic, and Tishby offers ways to check whether one’s criticism of Jews or Zionism is antisemitic or factually straightforward. The authors also touch on the deteriorating relationship between Black and Jewish Americans, despite their historically close alliance during the civil rights era. “As long as Jewish people get to benefit from appearing white while Black people have to suffer for being Black, there will always be resentment,” notes Acho. “Because the same thing that grants you all access—your skin color—is what grants us pain and punishment in perpetuity.” Finally, the authors underscore the importance of being mutual allies, and they conclude with helpful indexes on vernacular terms and customs.
An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.Pub Date: April 30, 2024
ISBN: 9781668057858
Page Count: 256
Publisher: Simon Element
Review Posted Online: March 13, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A graceful debut.
A series of essays cohere into an evocative memoir.
In her first book, Zoffness, winner of a Sunday Times Short Story Award, gathers thoughtful pieces on themes that include motherhood, anxiety, and Jewish identity. Raised by extraordinarily fearful parents and worried about bequeathing her own anxiety to her son, the author studied medical journals and textbooks “to learn parent-child transfer.” She tries to assuage her 6-year-old’s fears, she tells her therapist, by putting up “a shield of faux calm.” The therapist referred her to a nearby doctor: “Maybe,” she suggested, “if you talk to her you can respond to him with real calm instead of faux calm.” Her 4-year-old son, too, incites her worries because he is obsessed with becoming a police officer. Zoffness is dismayed by “the heraldry of dominance and toughness that my boys can’t help but inhale,” and she finds it difficult to talk about injustice and brutality with such young children. She comes to realize, though, that the child is not drawn to violence; as the younger sibling, he just wants to exert some power. In “Ultra Sound,” Zoffness reflects on her tense relationship with her own mother, a deeply private woman who refuses to share details about her past as a performer. “Holy Body” merges the theme of motherhood with Jewish identity: Zoffness chronicles her mikveh, or ritual bath, intended, in part, “to help Jews of all stripes honor life transitions or commemorate occasions.” Zoffness acknowledges her momentous transition from childbearing in contrast to a friend, a mother of three, who has become a gestational surrogate, an act of altruism the author finds both selfless and mystifying. In other sharp pieces, the author recounts teenage angst and a friend’s betrayal; a visit to an astrologer recommended by a therapist; and confronting evidence of the Holocaust in the idyllic city of Freiburg, where Zoffness was teaching.
A graceful debut.Pub Date: March 2, 2021
ISBN: 978-1-952119-14-9
Page Count: 165
Publisher: McSweeney’s
Review Posted Online: Dec. 21, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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