When all the city cats gather for Cats’ Visiting Night at the Art Gallery, they are dismayed to see that so few paintings include felines. So Felissima Cat takes paintbrush in paw and adds them to six masterpieces in the art museums of London, Madrid, New York and Paris. For example, the reason the Mona Lisa is smiling is because she’s holding a cat (now we know). The last spread reproduces the paintings and identifies the artists and the museums where they hang. As art appreciation, the device is original and the painting images accurate, but the illustrations of the cats are eerie. They are not cute, furry kitties, but appear somewhat menacing with sinister eyes that are more human than feline. The stylized illustrations in pencil, oil pastels and acrylics add unusual details and cleverly position the added cats into the artwork. Akin to Hooper’s Dogs’ Night, illustrated by Mark Burgess (2000), featuring four masterpieces in the National Gallery in London. (Picture book. 6-9)
Pub Date: Nov. 1, 2006
ISBN: 1-84507-290-1
Page Count: 36
Publisher: Frances Lincoln
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2006
Extraordinary introductory terror, beautiful to the eye and sure to delight younger horror enthusiasts.
What terrors lurk within your mouth? Jasper Rabbit knows.
“You have stumbled your way into the unknown.” The young bunny introduced in Reynolds and Brown’s Caldecott Honor–winning picture book, Creepy Carrots (2012), takes up Rod Serling’s mantle, and the fit is perfect. Mimicking an episode of The Twilight Zone, the book follows Charlie Marmot, an average kid with a penchant for the strange and unusual. He’s pleased when his tonsils become infected; maybe once they’re out he can take them to school for show and tell! That’s when bizarre things start to happen: Noises in the night. Slimy trails on his bedroom floor. And when Charlie goes in for his surgery, he’s told that the tonsils have disappeared from his throat; clearly something sinister is afoot. Those not yet ready for Goosebumps levels of horror will find this a welcome starter pack. Reynolds has perfected the tension he employed in his Creepy Tales! series, and partner in crime Brown imbues each illustration with both humor and a delicate undercurrent of dark foreshadowing. While the fleshy pink tonsils—the sole spot of color in this black-and-white world—aren’t outrageously gross, there’s something distinctly disgusting about them. And though the book stars cute, furry woodland creatures, the spooky surprise ending is 100% otherworldly—a marvelous moment of twisted logic.
Extraordinary introductory terror, beautiful to the eye and sure to delight younger horror enthusiasts. (Early chapter book. 6-9)Pub Date: Sept. 2, 2025
ISBN: 9781665961080
Page Count: 88
Publisher: Simon & Schuster
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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