A fascinating and hopeful book of family, bees, and how “even when [children] are overwhelmed with despair, nature has...
A moving memoir that tells the story of how helping her grandfather tend his beehives helped a girl survive a troubled childhood.
Former San Francisco Chronicle reporter May’s (co-author: I, Who Did Not Die, 2017) parents separated when she was 5. Her troubled, emotionally distant mother moved her and her younger brother back to the rural home shared by her own mother and her mother's second husband, who tended beehives all over Carmel Valley in California. After the author’s mother took to her room and refused to deal with the kids, the author spent most of her nonschool hours with “Grandpa,” driving around in his old truck to inspect hives, learning about bees, and eventually assisting him to harvest honey in an old bus he had rigged up just for this purpose. May balances the familiar story of an inadequate mother who veers between neglect and occasional abuse with a clear portrayal of her gratitude for the thoughtful, dependable man who taught her to reach out beyond her toxic nuclear family and make her way into the wider world, encouraging her to go to college and not let herself be defined by her mother's weaknesses. Her love of nature, too, and particularly of the unexpected intricacies of the ways bees behave, has provided her with a sense of peace and perspective. “Over time,” she writes, “the more I discovered about the inner world of honeybees, the more sense I was able to make of the outer world of people.” May also weaves into the narrative intriguing facts about the social lives and roles of honeybees, and she describes with affection the details of the process of producing honey and the role the beekeeper plays in the lives of bees. While her subject may be honeybees, they serve as a launching point for a tale of self-discovery and the natural world at large.
A fascinating and hopeful book of family, bees, and how “even when [children] are overwhelmed with despair, nature has special ways to keep them safe.”Pub Date: April 2, 2019
ISBN: 978-0-7783-0778-5
Page Count: 336
Publisher: Park Row Books
Review Posted Online: Jan. 12, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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