by Meshack Asare & illustrated by Meshack Asare ‧ RELEASE DATE: March 1, 2002
Originally published in 1997 in Ghana, this well-meaning but predictable story concerns a disabled boy who saves his village during a great storm by crawling to find a talking drum that will call the villagers back from the fields. Sosu’s life is circumscribed by his lack of a wheelchair, which a grateful town finally secures for him as a reward for his brave actions. It is also limited because of traditional attitudes toward the disabled. Some people feel that he will bring bad luck to the local fishing industry or are terrified of his appearance. The sketchy, somber watercolors relying on a brown and tan palette brighten at the end as Sosu’s life changes with his newly found mobility and acceptance by his neighbors. Set in a nameless West African village, this purposeful picture book may encourage discussion about living conditions for disabled children in countries around the world, but it has little appeal for the young recreational reader. Nonetheless, due to its universally important theme, the book is the winner of the 1999 UNESCO Prize for Children’s and Young People’s Literature in the Service of Tolerance and a 2001 IBBY Outstanding Books for Young People with Disabilities Award. (Picture book. 6-9)
Pub Date: March 1, 2002
ISBN: 1-929132-21-2
Page Count: 40
Publisher: Kane Miller
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
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edited by Tony Fairman & illustrated by Meshack Asare
by Lois Lowry & illustrated by Middy Thomas ‧ RELEASE DATE: Sept. 1, 2002
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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More by Lois Lowry
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by Lois Lowry
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by Lois Lowry ; illustrated by Jonathan Stroh
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by Lois Lowry
by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Meredith Hooper & illustrated by Bee Willey
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by Meredith Hooper & illustrated by Stephen Biesty
BOOK REVIEW
by Meredith Hooper & illustrated by Stephen Biesty
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