The author of The Horses of the Night (1993), among seven others, continues his rise with a modern vampire romance that harks back to the metaphysical poets' device not only of trading eyes but bodies as well. Cadnum's story at first seems simplistic, satirical, and thoroughly unserious. But midway the prose jells to a philosophical lyricism rarely found in this genre. San Francisco lawyer Richard Stirling, who's sure his cool, infertile wife Connie plays around, has himself taken a lover, the blind classical pianist Rebecca Pennant. When Rebecca is murdered in her bathroom and her house burned down, Connie's all sympathy. Then, to Richard's surprise, a strange mirror is delivered to his door: an antique with white wood frame and a carved unicorn. When Richard nicks his finger on the back edge of the mirror, it won't stop bleeding, even when treated by the family physician, Dr. Opal. Later, quite faint, Richard falls through a restaurant's glass door—and wakes up nine months later buried and in a sealed coffin, an exquisitely rendered Poe- esque turn. Once he claws his way from the grave and staggers to Dr. Opal's house, the surprised doctor rids his amazing patient of embalming fluid and replaces it with blood. Soon enough, Richard finds he must have human blood and sets about bloodsucking. His real mission: to find and destroy Rebecca's murderer. Eventually, he digs Rebecca up and feeds her his own blood, restoring her corpse to life, after which the love story takes over: The two hide in a stolen yacht at sea (wonderful storms) and in a redwood forest, feeding on deer (Rebecca detests murder, though hunger for human blood overcomes her). When the lovers are burned to bone, the story lifts heavenward into their post-life together: ``People are all that holds the sky in place . . . This is what the stars can never equal, this glittering minutia, the subtle accidents of lives.'' Chopin's Fantasie-impromptu for vampires.
Pub Date: March 1, 1996
ISBN: 0-7867-0239-7
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
Cussler's most adult, least comic-strip-y entry yet in the Dirk Pitt sea sagas. Gone is the outlandish plotting of Treasure (1988), when Dirk found Cleopatra's barge in Texas, and of Sahara (199), which unearthed Lincoln's body in a Confederate sub—buried in the desert sands. Now, in his 11th outing, Dirk Pitt and his National Underwater and Marine Agency (NUMA) fight villainous megalomaniac Arthur Dorsett, head of Dorsett Consolidated Mining, which holds the world's wealthiest diamond-mine empire. Pitt and his team must fight as well Dorsett's three daughters, the coldly beauteous Amazonian Boudicca, whose giant strength dwarfs Dirk's; the elegant but heartless Deirdre; and the star-crossed zoologist Maeve, whose bastard twins are held captive by grandfather Arthur so that Maeve will infiltrate NUMA and report on its investigation of his holdings—even though Dirk recently saved Maeve and Deirdre's lives in the Antarctic. First, however, Cussler takes us back to 1856 and a typhoon-battered British clipper ship, the Gladiator, that sinks in uncharted seas off Australia; only eight survive, including Jess Dorsett "the highwayman," a dandyish-looking convict, who discovers raw diamonds when stranded on an uninhabited island. From this arises the Dorsett empire, bent on undermining the world market in diamonds by dumping a colossal backlog of stones and colored gems into its vast chain of jewelry stores and, with one blow, toppling De Beers and all rivals. Worse, Arthur Dorsett excavates by high-energy-pulsed ultrasound, and when ultrasound from all four of his island mines (one on Gladiator Island, near New Zealand, another by Easter Island, the last two in the North Pacific Ocean) happen to converge, a killer shock wave destroys all marine and human life for 30 kilometers around, and now threatens over a million people in Hawaii—unless Dirk Pitt's aging body can hold it back. Tireless mechanical nomenclature, but furious storytelling.
Pub Date: Jan. 2, 1996
ISBN: 0-684-80297-X
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
Readers here get both: “Life was cruel. And hilarious all at once.”
A sprawling family saga with a zesty Mexican-American accent from Cisneros, author of, most recently, Woman Hollering Creek (1991).
Every summer, all three Reyes brothers drive with their wives and children from Chicago to Mexico City to visit their parents. Narrator Lala begins with a particularly dreadful trip during which “the Awful Grandmother” reveals a shameful secret from her favorite son’s past to humiliate her detested daughter-in-law. These are Lala’s parents, and Lala then rolls the narrative back, goaded by a scolding second voice whose identity we learn later, to tell us how a desolate, abandoned girl named Soledad became the Awful Grandmother. Soledad comes from a family of shawl-makers, and her most significant possession is a rebozo caramelo, a silk shawl whose striped design, when she unfurls it after her husband’s death, evokes “the past . . . the days to come. All swirling together like the stripes.” Wearing it years later to her parents’ 30th anniversary, Lala brings the fringe to her lips and tastes “cooked pumpkin familiar and comforting and good, reminding me I’m connected to so many people, so many.” Cisneros’ keen eye enlivens descriptions of everything from Chicago’s famed Maxwell Street flea market to Soledad’s sun-stroked house on Destiny Street. (The author riffs playfully throughout on the double meaning of destino, as either “destiny” or “destination”; it’s hard to imagine that the simultaneous Spanish-language edition will be as stylistically original as this casually bilingual text.) Melodrama abounds, and the narrator doesn’t disdain her tale’s links to Mexico’s famed telenovelas. In one of many entertaining footnotes, vehicles for historical and biographical background as well as the author’s opinions, she insists that those TV soap operas merely “[emulat] Mexican life.” The only way to cope is with a robust sense of humor. As Lala’s friend Viva says, “You’re the author of the telenovela of your life. Comedy or tragedy? Choose.”
Readers here get both: “Life was cruel. And hilarious all at once.”Pub Date: Sept. 30, 2002
ISBN: 0-679-43554-9
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
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