Warm recollections and practical advice from an acclaimed star.
An actor’s secrets for success include showing up on time.
Now 85, Caine (The Elephant to Hollywood, 2010, etc.) melds candid anecdotes and a master class on acting into an upbeat, unpretentious, and star-studded memoir. Born to poor, working-class parents, Maurice Joseph Micklewhite was not destined to become an international film icon. “I am living proof,” he writes, “that, whatever your start in life, you can make it.” Caine attributes his success to hard work, determination, stamina, the influence of his mother’s indomitable spirit, and pure luck. When he began his career in the 1960s, he observes, working-class actors like himself, Sean Connery, and Roger Moore were increasingly able to find roles in plays and screenplays by writers such as John Osborne, Alan Sillitoe, and Harold Pinter. Still, he admits that the first decade of his career was difficult. “Success is survival,” he remarks, and “comes from doing.” His Oscar-nominated performance in Alfie, released in 1966, proved a turning point; in the next four years, he made 12 movies, and by 1972, he had major roles in 20. Among at least 100 directors he worked with, he singles out for special praise the fatherly John Huston, coolly distant Brian de Palma, perfectionist Woody Allen, and the brilliant Chris Nolan, who offered him the delectable part of Batman’s butler. Although Caine enjoys the attention and perks of being a star, he cautions actors against acting like divas—e.g., the imperious Laurence Olivier or the pampered Elizabeth Taylor. Treat everyone on the set equally, he advises, and prepare assiduously. “Confidence comes from experience plus preparation,” he writes. Know your character so well “you’re thinking his or her thoughts.” Caine is forthcoming about some low points—e.g., when he tried to self-medicate with alcohol and 80 cigarettes per day until friends, and his beloved wife, intervened. When he stopped being offered major roles in the early 1990s, he thought about retiring from acting but instead decided to reinvent himself as a character actor.
Warm recollections and practical advice from an acclaimed star.Pub Date: Oct. 23, 2018
ISBN: 978-0-316-45119-2
Page Count: 304
Publisher: Hachette
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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