This companion volume to the Capuzzos' Cat Caught My Heart (p. 31) follows the same format: songs in praise of pet ownership, culled from material sent to Michael Capuzzo's syndicated ``Wild Things'' column, only this time the adored object is Rover. Dogs of every rank and radius are profiled here: dogs rescued from abuse and dogs who rescue others from abuse, dogs who are mentors and dogs with diabetes, a dog who went to meet his master at the train station each day for ten years after the master had died (found under the chapter heading ``Loyalty''), a dog on Valium because he attacks and destroys ringing telephones (found under ``Perseverance''), and, of course, a mention of Balto, the dog who saved Nome, Alaska, from a diphtheria outbreak and inspired the Iditarod sled race (found under ``Heroism''). Most of the contributions are short and submitted by the common citizenry, though a number of celebs make appearances: Ann Landers weighs in with some dreadful, heavy moralizing, Dave Barry goes for the yuks with a stab at fecal humor, and James Herriot chronicles the woes of a boxer with terminal flatulence. A mere handful of the stories reach for high drama (``Dragging her crushed hips along the ground, whimpering in pain, the dog struggled to Ray's side and nudged his face to keep it out of the water'')—and they aren't the pick of this litter. The best are those that wish only to briefly serenade a much-loved pooch, let the mutt stand up and take a bow, or bask in an elegy, as in this epitaph to a coon dog in Colbert County, Ala.: ``He wasn't the best, but he was the best I ever had.'' Just so.
Pub Date: March 9, 1998
ISBN: 0-553-10637-6
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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